#how the world has not only moved on from him but has actually changed for the distinct worse in his absence

[iamafictionfreak]

Hello, hello!!!

So… it’s been a while. I know I promised/offered/hoped for more of this. And... even though it’s been months, I've finally managed to write the next part.

Not to be deceiving, but part 2 is literally episode 2 only. I'm going the way of Loaded march and posting oneshot's with a rough length of about 20, 000 words? Give or take 5000.

Ever read Footloose’s Loaded March? The Merthur fic to end all Merthur fics?

For those here who aren’t Merthur veterans – we hold weekend group therapy sessions, and depression Thursdays – Loaded March is a series of stories (16 in all) amounting to 1,261,720 words, which is mind boggling to me, and each story is never more than either a oneshot or a handful of chapters until you reach the end.

So, I’m doing that here. Highest form of flattery there is.

So, yep. Part 2 is written and it's around 20000 words - Once it's edited I'll upload, very hopeful for a release by New year. Each episode will be the equivalent of a mini arc but it'll likely be a while before part 3 etc.

As with the above post, I’m aiming, if I actually manage to get there, to cover the rest of season 1 and leave it in a good place. It’s basically a retelling of the show, except with Arthur knowing Merlin’s secret, which changes everything. The juicy part is how this is investigated, developed and how it may or may not alter events as these two idiots progress.

Forewarning: don’t expect a light and fluffy time. Yes, I’m hoping it will be humorous. It’ll likely be dark at times, angsty. Painful. But the light is the key, and the relationship between Arthur and Merlin, the core. It’s, hopefully (pleasepleaseplease) full of adventure and truth and fun!

Unfortunately, Arthur, as you’ve seen, won’t immediately be buddy buddy with the personification of ‘evil’ that his father has raised him to want to destroy. We have a trained killer with a nobility made of steel and a heart as fragile as a bird’s. We have a soft and squishy peasant boy beholding the world's heart of gold, a primal gaze who is an unforeseen powerhouse with unlimited potential to grow into the most formidable man on the planet.

In the show, we see Merlin change over time, moving from servant to devotee of Arthur but kept very much isolated and shadowed. It leads to a very bittersweet end and a deeply fearful Merlin who should never have had to be. With said man knowing the truth, how does that change this growth. I’m not a fan of unearned progression so please don’t expect these two to become the best of friends in the space of 2 chapters.

In the show they fit all the definitions yet fit exactly none of them. They’re friends, except they’re not because their social status gets in the way. They’re devoted comrades, except they’re not because how can they be when such huge secrets stand between them. They’re each other’s protector, except neither really knew it nor understood what it meant. Arthur became Merlin’s purpose, and no one ever knew that heartbreakingly beautiful truth, so he couldn’t serve said purpose to his fullest potential. Arthur was never able to know what it was like to have someone like that by his side because even when he married Gwen, there was a piece if himself that he kept concealed. Watch season 5 and you’ll see what I mean and it’s because of that, that Gwen feels so alone at times.

The show held such potential. And luckily fan works aren’t limited by money or stereotypes or backwards thinking or, oddly enough, a yearning to thrown in a boatload of realism in the last half hour of a supremely unrealistic show.

This fic will not be halted or forced or rushed into romance of any kind. I have an issue with unearned progression. Natural chemistry leads to places yes, but people don't usually just fall in love and go with the flow.

The possibilities are delicious, won’t lie. If Arthur and Merlin had been allowed to ‘touch that’ in the show, the depth of it - the many layers it would have added - would have taken it in a very different direction, one that didn’t fit BBC goals at the time. Imagine all the S1/2 episodes with a bi Arthur. How that alone changes everything about it. Likewise, rewatch the episodes and imagine that it circles certain forbidden feelings and suddenly it’s so much more. I also won’t destroy existing love angles for the sake of something that I want more. No, it needs to feel natural. We’ll see what happens.

If you have questions, throw them at me, whether I answer them is another thing entirely.

I hope you’re all okay at the very least. It’s been a tough few years.

P.S I was going to wait until the third part was written as well, but the year has been hard; I've been sick, I've gotten a new far more stressful job and I've begun it question whether we really do exist within a 'matrix', so it feels right to post a sequel at christmas when merlin did everything to kill us once upon a time.

*not my gif*

In a Land of Christmas, and a Time of Fanfiction, There was an Irritated Woman in Dire Need of a Re-Write:

(gifs not mine - they're from @genyakosstyk)

So… I did it! I did exactly what I said I’d do here. I wrote the start of what could become a long-winded piece of diatribe focusing on how much Merlin the tv series could have healed us instead of hurt us.

I can’t tell if I’m overly ambitious, a little desperate (about anything and everything honestly) or just so done with 2023 and the crap-tastic news it generates. That and, I have this on repeat in my mental-space, which is more of a shed than a palace:

(gif from @punqueen13 )

So that's fun.

It’s forgivable to escape horror or fear or fatigue or guilt and grief by diving into fantasy. And is there anything more fantastical than merlin? Merlin and all the promise it brings. Is there any wonder why fics are still being churned out for a series that ended 11 years ago?

So here it is.

Part 1 of one. I’ve written a short, five chapter thing. It isn’t a prologue, it’s an intermission between episode 1 and 2 of season 1. The chapters are short for a reason, but I wanted to give a mix of both Arthur and Merlin povs so do let me know if they’re extremely out of character – I can handle a little ooc, especially given the nature of fanfic but if I can’t hear their voices in my head or see them as I read, I feel like I’ve failed.

I think I did ok?

The premise is simple:

Arthur sees Merlin, a peasant he had a brief altercation with, use magic to save his life. He should tell his father about. He should arrest Merlin.

He doesn’t. His honour being at risk, he allows Merlin to work for him on the proviso that he doesn’t use magic. Ever.

Except Arthur has questions he’s never been given the answers to. And Merlin is – odd. He’s nothing like what Arthur’s been told a sorcerer is and he makes it all too easy for Arthur to drop his guard around him.

Which- well, it must be magic, right?

His father, his attendants and tutors, have taught him about the manipulations of witchcraft and sorcery and how they can twist a man into feeling empathy for the wicked.

The problem is that Merlin isn’t exactly what he’d call wicked. Arthur trusts his own instincts and they’re telling him very different things to what the king decreed. He vows to watch over his new manservant. The moment he commits treason, he’ll run a sword through him.

And in the meantime, maybe – just maybe – he’ll find out for himself if a man who turns to evil, can’t turn back.

I’LL POST EACH CHAPTER WITHIN THE NEXT TWO WEEK SEASONAL PERIOD.

But.

There will then be a wait for part 2 – if anyone truly wants it, that is. And if not, hey. I had fun writing this.

Other bits and bobs and odds and sods:

Will there be romance?

Eventually! But I do wonder with who you mean? And this is first and foremost an experiment about how Merlin and Arthur could have been if what when how and why. If Arthur had Merlin's full trust and if Merlin was allowed past the walls Arthur had erected to keep even Gwen out, what could they have become?

Is it funny?

I HAVE NO IDEA. I truly hope so though, at east a little. There's some seriousness ahead to get through first though, Arthur isn't just going to jump into trust.

Will there be a lot of differences from season 1?

I aiming for exactly that.

How much trouble is Merlin in? More than season 1?

Ahem, have you seen the below man?

Merlin's in ALL the trouble. He just doesn't know yet that trouble is his home-spice.

[prairiefalcons]

shit changes for the worse sometimes

rodent by the menzingers / dorothy at forty by cursive / boy staring at an apparition by goya / the rat by the walkmen / millstone by brand new / i've got it all (most) by modest mouse / down in it by nine inch nails / how to disappear completely by radiohead / lives by modest mouse / cowboy dan by modest mouse / between aging and old by jack gilbert / beware of dog by john brosio / wasted days by cloud nothings / development by john brosio

[kianamaiart]

"Pretty Pretty Please I Don't Want to be a Magical Girl" Bios!

NAME: Aika (she/her) AGE: 15 Main Protagonist CV: Anairis Quiñones

BIO:

Aika is an easily excitable and energetic girl. She's generally optimistic and very friendly. She's always eager to try new things as long as it's not her fulltime job of being a magical girl.

As soon as her magical girl duties are brought into the picture, her demeanor changes. She checks out, and often looks for the quickest solution to solve the issue. No flashy transformations and special moves here. She's good with a metal baseball bat or a rocket launcher.

All Aika wants is to live a normal life, make friends and go to school. Unfortunately, like every main protagonist, trouble manages to follow her wherever she goes.

___________________________________

NAME: Zira (she/they) AGE: 16 Love Interest Best Friend CV: Bennett Abara

BIO:

Zira is everything Aika wants to be. Painfully average, under the radar and a self proclaimed loser.

She's a smart girl but has a hard time applying herself. Instead of paying attention in school, and doing extracurriculars, Zira would much rather be reading her favorite magical girl manga "Moon Sailor".

After Aika forces her friendship upon them, Zira now has to tag along on all of Aika's escapades and experiences new things. Ew. However, they admire Aika deeply and admire her even more after Aika's magical secret comes to light.

___________________________________

NAME: Hoshi (any/they/them) AGE: unknown Magical Sidekick CV: Christine Marie Cabanos

BIO:

Hoshi is a magical star being sent to Earth to find the chosen one. They made a great choice with Aika, as she's amazing at her job. The only issue is she hates it and is often trying to dodge responsibilities (and Hoshi).

When Aika first started, and still had her heart in it, Hoshi was definitely more neurotic and acted as your typical mentor/magical sidekick. But over time, they gave up on trying to tell Aika what to do and also became a little more apathetic. Aika was getting the job done at least, so what's the problem?

Hoshi still has to make sure Aika doesn't completely give up on being the Star Guardian: Guardian of the Stars, which Aika finds annoying.

___________________________________

NAME: Eclipse (he/him) AGE: 15 Minor Antagonist CV: Aleks Le

BIO:Eclipse is a flamboyant and theatrical individual whose showmanship is out of this world. He refers to himself as

"Eclipse: Servant of Darkness".

He was a D-list antagonist that Aika and her team would fight on occasion. Mostly just saving citizens from him being a nuisance. Eclipse has deluded himself into thinking that he's Aika's rival, main antagonist and love interest. Their love is simply forbidden as he's chosen the path of darkness and her, the light.

After Aika ran away, he managed to find her again. However this time he actually has powers??? Where did those come from? It's as if he's made a deal with darkness itself.

___________________________________

NAME: Lady DeVoid (she/her) AGE: Old Main Antagonist/Big Bad CV: Shara Kirby

BIO: Lady DeVoid is darkness itself. She's a mysterious being with an incomprehensible amount of power. Power that is currently weakened and that she actually has no idea how to use. She can't seem to remember for some reason...

All she knows is that a long time ago she was defeated and banished by a Star Guardian and that she now wants revenge. The only power she has at her disposal is creating particles of darkness that she can use to possess animate or inanimate objects to create monsters. She prefers others do her dirty work.

She enlists the help of Eclipse to spread these particles with the hopes that it'll eventually destroy the Star Guardian.

___________________________________

NAME: Miss (she/her) AGE: 39 Side Character CV: Michele Knotz

BIO:

Miss is Aika and Zira's very tired teacher. Looking at her, you might assume she hates her job, but it's quite the opposite. She pours everything into her work and into her students, leaving very little time for her personal life.

She's recently started trying to get it together (after her ex-wife left her) but is still struggling to find that work-life balance.

Prior to Aika enrolling, Miss was Zira's only friend at school and, though she'd never admit it, Zira's probably the closest thing she has to a friend also (oof). She's subsequently become a secret Moon Sailor fan too.

[ilikekidsshows]

These are really good additions. For all Marinette complains about how her Ladybug/Guardian responsibilities cut into her time as Marinette, she sure isn't making any moves towards making it so that a Ladybug wouldn't be needed. All her efforts go into stopping the Akuma of the day or some other pointless project that won't actually bring her any closer to catching Hawk Moth. She'll jump at the chance to let Tikki replace her as Ladybug, but she won't make having a Ladybug unnecessary or find a permanent replacement herself. Basically, Marinette wants to stop being a Ladybug, but only when doing so would require her to do nothing.

This makes it seem like the only reason Marinette hasn't already quit is that her motivation to quit is even weaker than her motivation to be a hero. Although, Marinette has had this tendency where she complains about things she could change but then makes no effort to change for a long time in the show. She didn't like Fu sidelining Cat Noir but only made the weakest attempts possible to persuade Fu to talk to him after Cat Noir brought the situation up. Even after Fu stops telling her to keep Cat Noir in the dark about everything, when she's crying about how hard it is to be alone for the couple of weeks after Fu lost his memories, she still won't just talk to Cat Noir. Her telling Alya was an accident, done in the midst of another emotional breakdown. Marinette always had the option to reach out to others and, even when the outside pressure to not do so was removed, she still wouldn't do it by choice.

Marinette complains about things she has the power to change, but then does nothing to change them. This has been going on since even before the retool, and the post-retool Marinette views herself as being completely incapable of changing her circumstances even when she's the one with all the authority and power. Even when she knows how she could change things, she won't do it, because Astruc confirmed in the finale commentary that Marinette understood from Félix's message at least the part about Gabriel being Hawk Moth, and then she acted like she didn't know so that the finale could have a standalone "realization" moment (because they're still writing Miraculous as an episodic show).

However, that just means that, even after she found out the truth, she had no intention of acting on the knowledge that Gabriel was Hawk Moth until he jumped her when she was breaking in to find out information about Adrien. Marinette was going to let Gabriel keep being Hawk Moth at least for the time being, because stopping him would have been too much effort, I guess. Even if you go with the interpretation that Marinette didn't fully understand Félix's message, Astruc confirmed that she at least suspected Gabriel before she went into the mansion, and yet she didn't do anything with her suspicions because that would have required her to put effort and thinking into her heroics instead of just reacting to what was going on directly in front of her.

Basically, Marinette will rarely do anything more than solve an immediate situation. She would rather keep having easy-to-win Akuma fights that cut into her private life that she'll then constantly complain about than make a proper plan to track down and stop the source of the Akumas. Because of this laziness, she was completely unprepared to do anything to actually stop him when Hawk Moth decided they'd have their final confrontation now. All the power, allies and knowledge at her disposal went to waste and she fumbled her way into the world getting destroyed.

Like, when the protagonist has this much knowledge, authority and power and goes this far in not taking advantage of it, all the while complaining about rough she has it, you really gotta start wondering at what point her problems start being self-caused. Sure, Gabriel is responsible for his own actions, but 'Origins' had this quote be an inspiration to Marinette: "All that is necessary for the triumph of evil, is that good people do nothing!" and in the finale, she proves it correct in the worst possible way. Marinette, indeed, did nothing, and Gabriel triumphed. The writers can claim that "Gabriel laid down his arms so Marinette won" all they like, but that symbolic victory is nothing against Gabriel's literal victory of gaining ultimate reality-bending power and getting to reshape the world however he wishes. Once again, the Miraculous writers had something happen that's the exact opposite of what they meant to represent.

I've seen people said Adrien doesn't have motivation to be a hero but Marinette does, which is weird because I feel like it's Marinette who doesn't have a motivation to be hero beyond "people listen to Ladybug". Her lack of motivation is what confused me because as a protagonist, she's inevitably become a role model for the young audience and I find nothing about her is likeable, even more so after she become a guardian. It's as if being a guardian inflate her ego and she forgot that everyone else is a human with feelings, not just a pawn or a doll for her to play and ordered around.

Recently I found out a website that contain the concept plot and it confused me more because I feel like concept Marinette is a more grounded character than she is in the show.

Marinette's goal isn't just to be Adrien/Felix's girlfriend but she also need to collect the kwamis that she accidentally releases and she become a guardian not because of luck or favoritism like how it is in the show, it's because her grandfather is the guardian. Adrien/Felix doesn't even become Chat Noir because he's chosen by the guardian, it's Plagg who chose him. It's actually much better than the whole "I choose you but also I'm not going to do anything with you" that Fu pulls in the show.

i don't understand why the higher up/the sponsor reject this plot because I think this much better than whatever we have now. If they have a problem with Chat Noir being an anti-hero, then why do they accept Marinette being written like one while also hailing her as a hero?

---

“Adrien isn't motivated to be a hero” he actually likes being a hero, unlike our role model protagonist, who’d rather do anything than be Ladybug even when she's being lauded for her heroic deeds. Is this based on Adrien trying to quit when Fu or Marinette is making his job needlessly more difficult to do? Because, like, that's the only thing that he seems to dislike about being a hero, which, like, makes Marinette an even worse hero. She’s so bad at her job, she makes otherwise eager heroes lose their motivation.

I’m gonna be very honest here; Marinette becoming Ladybug because she accidentally released a bunch of magical creatures and Adrien/Félix being more of an anti-hero rival than a full-on ally would have been copied straight from Cardcaptor Sakura’s starting setup. Like, I’m not surprised that even the rejected ideas for Miraculous are copied from other properties, but it just proves that regardless of any other variables, Astruc’s creation was always going to be highly derivative. Regardless, I do feel that Fu being her grandfather instead of a stranger would have gone a long way in justifying Marinette’s special treatment both in-universe and to the audience, but that’s probably why it was rejected.

Like, we can mock the fact that Marinette isn’t actually within spitting distance of being a “normal girl with a normal life” all we like, but that doesn’t change the fact that, from a purely on-paper angle, she is pretty average. She’s a middle-schooler with pretty average hobbies who deals with normal teen problems like bullies and a crush on a boy she doesn’t know how to deal with. There’s a reason it’s the opening line for the show’s opening. It's marketable. A special chosen one from the start wouldn’t have been as marketable in the same way. Especially when we take into account how hypersensitive Astruc is to Marinette being less liked than he’d want. He’d do whatever he can think of to make sure Marinette isn’t immediately judged a “Mary Sue”.

The thing with executives is that they don't watch the shows they fund. They read the pitch, synopses, and maybe the scripts if they can find the time. And even then, they might not want to put in the money to get a script revised even if they paid enough attention to tell it was dogshit. They wouldn't be interested as long as the different Miraculous bedsheets and shampoos keep selling and as long as the show isn’t too gay to sell to other countries. Like, the show bible that Gloob leaked? The one full of inaccuracies because it was outdated? That was what the executives were most likely given when the retool went into development. In addition, corporate oversight on the show has actually decreased the longer it’s gone on, because the show’s proven itself to be a success. I’m pretty sure the higher-ups were not asked: “hey, is it okay if we make Marinette an entitled jerk who gets validated at every turn while she starts treating people worse and worse?” I’m pretty sure no one okayed Marinette’s “villain arc”, it was just allowed to pass because it didn’t make the show less marketable.

That’s the thing with any property that becomes “too big to fail”. Less oversight means less quality control. It’s like one anonymous Gamefreak employee said about making Pokémon games: “It’ll sell anyway, so it doesn’t matter if it’s bad.”

[yanderenightmare]

♡ TW: nsfw, dubcon, yandere, omegaverse, forced/accidental bonding, subjugation

♡ part one

♡ fem reader

Once you wake up in the morning, you feel… changed.

Your body feels full—as though you’d indulged too much last night—heavy and sticky and sore all over. There’s a strange taste in your mouth—sweet, somewhat salty, and metallic. Geez, you’re head’s pounding—how much did you drink last night? No, this feels different from a hangover—more full-bodied than that—a withdrawal of some kind or another. You must have done more at the party than drink, and yet, you can’t remember having stayed there all that long. No, you left with someone. That’s right. You went with… that overgrown Omega.

Oh no.

“Good morning, sleepyhead!”

He comes in only wearing a pair of snug boxers—body stacked with brawn, not a single hint of Omega-like softness aside from his tousled bed hair. There’s a big toothy smile on his face—eyes are creased in cheer while carrying an overfull breakfast tray. You know you’re hungry, and yet you can’t bring yourself to feel anything but sick to your stomach by the horrid sight of his flaunted neck, decorated by a gory ring of your bitemark.

No. No, no, no, no, no! Fuck! “Tell me that’s not what I think it is…”

He laughs lightly with an awkward smile, apologetically scratching the back of his neck while balancing the tray in the other hand. “I’m afraid so…”

The world stops spinning, and for a moment, you think it might actually never start up again. Your throat snares, and you think you might throw up. How the fuck could this happen?

He sets the tray down next to you, then himself. The whole bed takes waves upon his weight. You remain still—eyes unrest and mouth hung.

“Hey, I know this might not be what we had planned, but…” he starts.

But you don’t let him finish before declaring, “I’ll take full responsibility.”

There’s nothing else to do, you think. The red string of fate has tied the two of you together. It’s sealed.

“There is no going back now.”

His face expresses shock, but if you’d taken a closer look, he’d probably not be able to hide it—the overwhelming sensation of victory. Oh, bless your Alpha pride. He knew you would say that.

He smiles softly. “I’m in your care then.”

It’s a work in progress after that—slow in the beginning, but that’s to be expected. You never pegged yourself to be the type who got caught up in the unmendable mistakes of a one-night stand, but then here you were—mated with a stranger, moving into his apartment because it’s bigger and closer to work, sharing the same bed and eating the same meals and helping each other through one another’s ruts and heats.

He's still no closer to being your type. In fact, he’s the total opposite—too giant to give you even a semblance worth of superiority over him. A couple of days ago, when he’d been searching for the remote in the couch you were lying on, he’d taken to pick you up instead of just asking you to move. It was completely humiliating. He’s so brazen, and it’s starting to become clear he’s doing it all on purpose!

He doesn’t get fussy when you state your claim of being the one on top—no, but what he does instead is somehow worse, going along with it with snide praise, grinning up at you, his big hands weighing heavy on your haunches as you roll them, calling you his good girl. It seems to humor him how it angers you—chuckling behind your hands as you layer them both atop his mouth, growling at him to “Shut up!”

No, he doesn’t mind letting you take charge. He rather enjoys the view of watching you ride—working so hard to appease him while he rests pretty and admires your body—all soft edges and plush curves. You tire quickly, though—poor thing, why don’t you leave the rest to him?

You had rejected it the first few times he’d offered. Your bruised pride simply wouldn’t have it—you’d rather you both stop than let him finish you off. But a couple more nights and you’d quicker come around than either of you expected—perhaps worn down by his constant nagging or simply fed up with your own failure—you let him assist by bouncing you on his lap.

You wouldn’t admit it to his face, never, but you’d enjoyed it far more than you could have ever thought…

Thankfully, your face in and of its own glory told him all he needed to know. It didn’t take long before he’d taken full advantage of it, nor for you to begin allowing it without being asked. Soon you were letting him fuck you against the wall, making the entire room shake—wall creaking and shelves rattling, pictures falling down. You hold your tongue and hold on tightly, arms and legs wrapped around him—moaning sweetly right by his ear. Fuck, you even bite him again.

As time passed, you came around to indulging more and more of his antics. Letting him fuck you from behind—hard and heavy and deep—thrusting into you while grappling your waist. You even go down on all fours when he does it—digging your claws into the sheets.

Lying belly-up beneath him still makes you feel nervous—and slightly ashamed—almost convinced something’s wrong with you for liking it. And yet you can’t help it. You know any other Omega wouldn’t fuck you like this. They wouldn’t have the stamina, the drive, or the desire. Not like him, who does it all like it’s his nature even when it shouldn’t be.

Guess you’re both freaks.

♡ BNHA – Deku, Kirishima, Hawks, Amajiki ♡ JJK – Gojo, Geto ♡ HQ – Kuro, Oikawa, Miya twins, Tendou ♡ BLLK – Reo, Nagi, Bachira, Isagi ♡ DS – Doma ♡ WB – Suo, Togame

♡ FEM x M INSERT masterlist ♡ GN x M INSERT masterlist

[vatelixx]

The enormity of my desire (disgusts me),

Very very early seasons (1 — start of 2) Spencer Reid x afab!BAU!reader

SMUT!! (and fluff, some angst in relation to Spencer’s past because it can never be too happy, we’re not allowed nice things here). first times & explorations of intimacy.

──── autistic spencer (it’s a central theme to the plot), reader is actually morally good (for once).

Warnings: sub spencer (what did u even expect?), heavy corruption kink, first time for Spencer (all i do is sit around and think about how i’d like to devirgin that genius), HEAAVY praise kink, very very inexperienced Spencer, slight? oral fixation, they’re both just rlly down bad (i told u i would write something light, i delivered), Reader is whipped, Spencer is sooo much worse. Biblical references, Religious imagery, i think i talk about math equations???? And random metaphors/complexes.

w.c: 4k

a/n: i rlly wanted to explore aspects of spencer that criminal minds swept under the rug (cough cough his undiagnosed autism, cough cough his social exclusion, cough cough his crippling fear of forever being alone). Next upload will prob be heavy angst/no smut post-prison spencer (god help me please, i must be a masochist for the way i make myself suffer)

───────────────

There’s a lot Spencer hasn’t done.

He knows he’s behind, that he never quite caught up when it came to the taboo of sex and intimacy. Everything, everything, he’s ever had has been centred around exclusion, alienation, he feels like he’s lived on pause. Frozen, never advancing, stuck on ‘go’. Touch isn’t easy for him, interpersonal relationships are worse. He’s different, god he’s heard that his entire life. ‘You’re not weird, you’re just… different’, but maybe he is weird. Maybe his whole existence is just one big cosmic fuck you, because he’s missed out on so much, so much that he can’t understand, comprehend, act out against. Falling behind; this is the only area of life where he continuously comes up short, inexperienced, naive, he’s not used to being incompetent.

He’s never experienced want the way others do. He could never just hook up, fall into the body of another, expose them to the vulnerable elements of his stature. Open himself up to scrutiny. He might be a genius, he might be intellectually advanced, accepted into a multitude of ivy leagues before he was old enough to vote, but there’s drawbacks to his success. Social awkwardness, an inability to blend, mould, be one of the crowd. Sometimes he wishes he was average, something grey and mundane, so far reduced from the person he is now— it would all be plainly simple.

But he’s not, he’s not. So, this is the weight he has to bare for the brain he never asked for.

Pyrrhic victory, he’ll always be renowned for his intelligence. ‘You’re going to change the world kid,’ maybe, but simultaneously, he’ll never get to experience said world. There’s a chance he’ll always be on the outside, watching normal people gravitate towards each other. Live dreary lives of domesticated simplicity. Stacked bills, arguments over money and parenting techniques. Going to bed angry, only to turn around, mid-night, and resolve it, to not sleep on bad blood. To take them off the couch, to settle into predestined sides of the mattress.

There’s not enough possessions in the world he’d sacrifice just to experience love.

Hedgehog dilemma, the challenges of human intimacy. The hedgehogs want to move closer, to preserve heat during cold. But, they are forced, biologically cursed to remain apart, in order to prevent themselves from harming each other. Spencer doesn’t want to be hurt, to hurt, it’s a morbid byproduct of his upbringing; all he ever endured was mockery.

He thought he’d never get to experience the physical, carnal aspects of existence. And sure, he made peace with the notion, accepted the consequences of being born atypical. Learnt to live without.

But then, oh then there was you. Pretty, intellectual you who quite literally tipped his world on it’s axis. Upheaved the most stable of routines. New to the BAU, he wanted you to last. To stay around, endure the worst of the job. If only for his selfish benefit of orbiting in your presence.

He remembers how it all started: Detroit, another case, more budget cuts, forced proximity that sent you spiralling into a shared bed for the night.

“You’re my favourite person in the team.” you admitted, “And I know that’s dumb, because we’ve spoken the least, but… you’re just, so you. That’s a good thing by the way, a really really good thing.”

He couldn’t quite believe you were talking about him. Spencer, who spilt coffee, and slipped into ceaseless tangents about obscure information. Spencer, who walked into walls when you were around, stumbling over his sentences before deftly, very astutely, giving up, walking away mid-conversation. He wore sweater-vests and colourful mismatched socks, it’s not like he was going to be crowned ‘white boy of the month’.

“Not dumb.” Spencer had responded, shifting closer to tangle further into the warm mess of this accidental situation. “That’s good. I like being me.” he mumbled. “Sometimes…. sometimes it sucks. But that’s okay. I think it’s okay?”

He moved to press his face into the crook of your neck, but you were faster, gathering him by tousled hair, forcing him to look you in the eye.

Oh.

“Please. Please.” he whispered, breaking apart, fracturing, “Please like me. And more than in a weird, ‘just friends or coworkers’ way.”

You did. You do. He should’ve kissed you then, but maybe he was scared, maybe he couldn’t quite discern his feelings, separate the logic from the emotional. So he waited, waited, waited until now. Your third date, you take him to an exhibition within a science centre: replica models of the solar system, filling rooms up, papier-mâché sculptures illuminated by light.

Best date ever. You listen, even when he’s rambling about planets, when he’s pointing out that yes, Jupiter’s density is less than water. That, technically, it would float in a bathtub, if one was built to accommodate its size. You don’t care that he’s not exactly the staple-piece for conventionally attractive males. That he’s nerdish, and awkward, and so so inexperienced when it comes to this.

In his apartment, later, much later, he looks at you, looks at you like you’re the one who just solved the fucking Riemann hypothesis.

“What do you want the most? Like,… if you could ask for one thing.” you say, and god, Spencer loves when you pose these deep, hypothetical questions. When you make him think, because you, you are the biggest challenge to his intellect yet.

You. He wants to say. But he settles for ‘Being remembered,’ instead. He works to untangle layers of fabric, your scarf, your jacket, letting out an exasperated laugh when he meets your amused gaze. “Right now though? I think I’d settle for kissing you.”

You cup his jaw, tracing your fingers along the sharp curve, and god he has perfect anatomy. “Settle huh? You should be more appreciative.”

He leans forward to press a chaste kiss against your lips. Drawing away for a moment, just to return because he’s never had this before. Because for the first time in his life, he gets it. He gets physical attraction, even if it took time. He’s kissed, been kissed, yes. But he could count those moments on one hand, and if you asked how many he truly enjoyed, he’d be left with no fingers raised.

“Believe me, i’m very appreciative…”

This isn’t like before, what he felt in the past; he expected something monotone, flighty, a brief fleeting moment of satisfaction. Means to an end. No, it’s actually the best thing he’s ever experienced, and he’s going to become so insufferable after this, because he’s just found out he is very very into kissing.

Correction: he’s very into kissing you.

In the moment between parting, and touching again, he assumes you to be divinity personified. Spencer has never been religious, but something of this magnitude should be canonised. He wants to ask you. Ask you when you became this beautiful. When you became the person he needs to kiss a second time, kiss a third time, kiss until his lips go numb.

A shaky inhale, a pause. “I hope… I hope that it was okay - I mean, it was good for me. Really, really good. Um—“ to be honest, he’s just glad he didn’t say thankyou.

“Yeah, Spence. That was… wow.” you draw your bottom lip between teeth, press into tissued flesh. Jesus Christ. “Wanna try again?”

Yes yes yes yes. He looks at you, pupils blown obscenely out of proportion. Part of him wants to say, ‘why didn’t we do this sooner?’ But that’s not fair; he’s only ready now. Now that he feels, now that he might be a little in love with you.

“Please,” is his answer, and then he’s catching your face in the palms of his hand, tugging your lips back to his, because admittedly, they have ached in the long, extensive period you were apart (53 seconds).

This time it deepens and Spencer sees stars. It’s an astronomical phenomenon, something interstellar— and god, he’s relating kissing to space. They should just tape the word ‘virgin’ to his back and call it a day.

There’s soft little breathy sighs escaping his mouth now, bleeding into yours. And yeah, spontaneous combustion might be a real threat. Actually no, it would hardly be spontaneous; there’s a clear, clear cause, and it just so happens to be your ruinous lips.

This is an entirely new facet of the human experience. The kiss is electric; he’s always been partial toward physics, and right now his veins carry an alternating current.

You know, he could probably write a thesis based on this.

You both stumble back back back until he’s hitting a wall, and yes, thankyou. He’s making all sorts of sounds he can’t justify, and it’s a supernova, an infinite black pool of— oh, he thinks he might die, ascend, transcend, when you press your thumb against his chin, hold your lips at just a little slant from his. Force him to wait there.

“Please,” he’s never been above begging. A worthy sacrifice, one he’ll certainly repeat again because you return to the kiss, and the world around him dissolves.

You’ve got one hand tangled in his hair. Tousled auburn, fingers sinking into strands, pushing all the way down to the root. The other is still cupping his face, keeping him close, keeping him selfishly close actually.

“Spence,” you murmur. And yes. Yes. He likes that. The way his name sounds rolling off your tongue, like it was destined to be there. Like he was destined to be yours.

His world is ending. So is yours. Fuck it, he presses himself against your thigh, and ohmygodohmygod. He’s being loud, he’s actually being so criminally loud right now because apparently he’s the most whorish virgin to ever exist.

“I lied, I lied,” he admits between messy kisses, “When you asked what I wanted the most? It’s not to be remembered, well it is, its on the list. But—“ he groans, kisses you again because talking interrupts matters that are more important. Like your lips.

“I wanna cum.”

Eloquent.

Spencer Reid being dirty? Oh, it’s hot, it’s so hot to reduce someone to such an obscene state. To reduce him, the boyish fumbling nerd (who just so happens to be the most beautiful person in existence) to such a degrading mess.

Still, there’s shock. Not because he said it (you greatly appreciate the indecent things falling from those pretty lips right now), but because—

“You’ve never? Haven’t even experienced it once? By yourself?”

He should be embarrassed, but his lips are red, his eyes are glassy, and the bulge in his pants is straining to be touched. “Never,” he sighs shakilly. “Never, and i’m— i’m starting to understand why it’s so popular.”

He whimpers, pushes himself against your thigh, because the friction, yes. “Is that weird? Please don’t think i’m weird. Because I’m really, really weird. Just maybe… not in that way?”

It’s never been enough. His body sometimes feels numb to the touch, and yet still so very overstimulated. Like he manually blocks himself from feeling, already prepared for the flinch. How does he explain that life hasn’t been kind to him? That he hates his body because of what people made it out to be when he was a child. Stripping him naked, tying him to a goalpost, always the underdog. The one to be targeted, tormented.

“It’s actually kinda hot,” you interrupt his thoughts, and just because you’re evil, corrupt, the worst, you press your thigh harder against his clothed cock, palm covering his mouth when a plethora of whiny sounds escape his mouth.

It’s performative, really. Alone in his apartment, there’s no need for noise control. So when your thumb slips between parted, swollen lips, he knows to suck. The average human hand has between 10,000 and 10 million bacteria, and Spencer does not actually give a fuck anymore.

“To think that you’ve never even felt what it’s like. That you’re gonna feel it with me for the first time. I get to see that shit— god, you’re going to look so fucking pretty for me.”

You draw your thumb out of his mouth, and he has the audacity to whine.

He’s never wanted anything more in his entire life. It’s all tertiary now. Only this matters.

“Please don’t praise me—“ he protests, “I’ll probably finish in my pants.”

“Praise kink, noted.”

You laugh, and he can only groan, curse existence for being this cruel to his overworked, undervalued body. “Don’t— don’t laugh. You’re not supposed to laugh, that can heighten performance anxiety. Increase insecurity, and…” he sighs, “You do not care. Sadistic tendencies, noted.”

“Shut up. Wanna see you.” you say, and he’s just muttering breathless mhm’s, too delirious to function; his body is betraying the last iota of self-control like the little whore it apparently is.

His sweater comes off first, then his top. Discarded fabric, his raised arms when you mutter a candid ‘up’, giving way to exposed skin. In response? Your pupils dilate. Spencer knows because he’s analysing, profiling. If you hate him like this, he’s fairly certain he’ll drag himself into a self-dug early grave. He wishes he was being melodramatic. That your approval didn’t have such a substantial impact on his carefully-constructed ego. But, oh, it does. It does.

Thin, with a long, defined torso, he blushes, rose blemished skin, when your hands drag across his stomach. He’d love to say he reacts sanely, suavely. Urbane to your touch. But that would be a total, discreditable lie. Instead, his back arches, seeking contact, following the path of your fingertips with pitiful desperation. He feels malleable, willing to bend and contort, if only to feel more.

“How can you not think you’re pretty, Spence?” His pants are gone next, then his stained boxers, fabric borderline sheer now, soaked through with pre-cum.

Spencer feels betrayed. His body never responds, not to his own hands, not to his own thoughts. And yet, the moment you’re on him, he’s a live-wire. It’s sick, heinous, double-crossing. Maybe it’s purposeful, done just to spite him. Figures.

“Holy shit, look at you. Look at how perfect you are.” Spencer wants to object, because he distinctly told you not to praise him. However,.. right now, the lights are on but nobody is home. Brain-death, he’s certainly in a vegetative state.

“Ohmygodohmygod,” he whimpers, because no amount of knowledge about human anatomy and physiology could prepare him for how he feels under your touch. No amount of education in the psychology of relationships could inform him of how viscerally wrong the way you look at him feels.

Because it’s not wrong, not all. It’s the most right he’s ever felt, and he’ll tell you that if you’ll just keep it up.

The sounds he’s making are phonographic, lewd, you’ve given up on trying to stifle them now. Where have you been hiding? Your eyes fall, and he wants to blush away from the exhibiting gaze, but he’s just…. too far gone; the thought of your touch outweighs any previous reticence. Then, oh then, you drop to your knees, and shit. He expected your thigh, maybe your hand if he was lucky, not—

This. Your mouth, your tongue, your pretty lips; god, god, is this a sin? Because if it is, he’ll take it.

“Please,” he whines, and he can’t look anymore because the sight alone is going to send him over the edge. He’s gripping the wall, scrambling scrambling for purchase, because he’s trying not to grip you, but how exactly does he keep this respectful?

He’s pretty sure they’re past that, considering your mouth is currently wrapped around his cock, and he’s debauched.

You want this, you want him, he feels like he’s transcended humanity, like he’s become someone, anyone and anything, that deserves the way you’re taking him apart, piece by piece. In the aftermath, he hopes you don’t leave a single ounce of him intact.

“Wanna kiss you. Oh— oh oh,” he’s sobbing now, “Come back here. Miss your mouth— even if it’s,” he looks down and that’s a mistake. “Please.”

Of course it would be Spencer to disrupt the best (and admittedly only) head of his life because he needs you closer.

You oblige, raising from your knees, and Spencer thinks it might be sacrilegious. But then again, he feels religion in your touch so it can’t be too profane. Maybe? He’s not sure, he’s not sure and it doesn’t matter. Ethics and morality have long since disintegrated, sins are engrained into humankind. He almost wants to thank Eve for tearing into the apple, because it’s allowed this irreverence to occur.

Spencer blindly follows you through the apartment, stumbling and muttering until he can collapse against the bed. Baring his pretty neck as his head hits the bedframe. Tangled in sheets, draped over his lap, his deft fingers run across your waist, mapping out the structure of your frame. If only to remember, recite this act of blasphemy.

“Spence,” you whisper, and then his lips are crashing into yours, stealing breath, stealing sanity. He whimpers, murmurs a protest when you draw back, and you can only laugh. “Lets get you off, yeah? You wanna feel an orgasm, pretty boy?”

“Yes, yes please. That would uh— yes.” he’s not even sure how he’s conscious right now. His body, god his body, has endured more pleasure in the last hour than it has for the majority of his life. Your hands scathe, and Spencer is willing to indefinitely burn, if just to feel them one more time.

You only stop to take off your clothes, and surely there needs to be prep? To reaffirm, he knows anatomy, the correct procedure, how the transgression is supposed to occur. And yet, that’s from a clinical, objective mindset. Do this, do that, etc etc. Nothing works out like that in practice.

You’re so wet, panties stained through, he spares a moment to run his fingers across your thighs, hand slipping beneath fabric to graze your clit. The moan that follows has him distracted, thumb tracing circlets, over and over until you’re pulling back to return the balance. The balance, which admittedly is skewed, tipped scales, you’re on top. He falls to the weight of your influence.

And yeah, he’s more than fine with that. Jesus, you drag your panties down, down your thighs, your legs, then they’re reaching your ankles, pooling there for a moment before they’re being discarded, tossed somewhere on his floor — leaving behind a souvenir that yes, yes this happened.

“I can’t,” he says, burying his face into your shoulder when you take him. It’s slow, sinking onto his cock like every inch of warmth will destroy him. Maybe it will. Maybe he doesn’t care, because he deserves this. He deserves to feel after so much repression.

Or maybe, maybe he’s just become the biggest slut known to mankind. Likely.

Your body presses against his, and he thinks he’s going to disintegrate, because he feels so good. He understands now, he understands why people do this. Why it’s integral to the function of most. This is the best day of his life. This. Is. The. Best. Day. Of. His. Life.

There’s this noise, this pathetically loud whimper when you start to roll your hips— and oh your body is wet against him, and you’re so tight, and it’s perfect because he doesn’t have to do anything.

He can just sit here, look pretty, and cry.

He knows he’s a giver, that he’d bleed himself dry for you. It’s a curse, he supposes: so willing to bend backwards for the satisfaction of the people he trusts. But, this is foreign, and he wants to watch you, aimlessly stare, dumb and empty-headed as you wield his body like a weapon. Turn him into something perniciously yours.

Spencer has no reference for what an orgasm is supposed to feel like, and yeah, he’s really good at guessing in these type of situations. Because he’s rolling his thumb over your clit again, and he wants to draw it into his mouth, to see you laid out across bedsheets, writhing, unable to do anything but suffocate him with your thighs.

You clench around him, back arched, releasing a series of strained moans. With one hand tangled in his dishevelled hair, the other pressed against his chest, your face contorts, your body stiffens. There’s no way his incessant whimpering just got you off?

Okay. So you like him desperate. Point taken.

“Please— please, wanna cum. Wanna feel it so bad,” he’s slurring over his words, sentences punctured by devastating whimpers. And look at him, asking for permission, waiting even though his body has been teetering on the edge for so long now.

“Shh, shh..” you press your forehead against his, and he melts. Reoccurring theme. His hand grips your jaw, thumb pushed firmly against your chin, keeping you close. “You wanna cum for me, baby? Gonna give me your first?”

“Mhm— mhm…” is all he can say. When you pick up your pace, he has to burrow his face into the crook of your neck, whimpers messy and broken off, suppressed against your warm skin.

“Oh. Oh…” he repeats, again. Like there’s anything else he could utter, because this is earth-shattering.

It’s the sun, and all eight planets combined, and the universe collapsing in on itself, and he’s bucking, squirming, releasing into you, spilling deep.

He sobs. Breaks down. Because it’s so so good, and he can’t believe he ever deprived his body of this.

Neediest whore to ever exist, apparently.

It takes him a while to come back. Longer to regain motor function, to sink into present day. Life, and expectations, and everything, everything, your touch eradicated.

“Just… just stay like this?” he asks, collapsing against your body after he’s drawn out of you. There’s mess, evidence of your ministrations, but cleanliness seems futile when he’s blissed out, caught in a post-orgasmic haze that yes yes yes he needed so badly.

You card your hands through his hair, watch the way he stares up at you, large, widened eyes, chin resting against your chest. “Hi,” he mutters dumbly.

“Spence,” Spence, Spence, Spence. He could drown himself in that nickname.

“Yeah?” he breathes out.

“You we’re so good—“

He rolls away from you, finding a home for his face in the pillow. “Stop. Stop.” he groans, “Don’t do that. You’re going to destroy me. I’m not… equipped for this, for you. Someone should just sedate me, put me out of my misery, a coma sounds like—“

He tilts his head to the side, relinquishing, “Okay. Sorry. Meltdown over. Can we shower? Then maybe do this again? Which will make the shower inconsequential, I suppose. There’s a new documentary I want to watch, and oh, you still haven’t seen the third Star Wars—“

He’s happy, content, over the fucking moon, to be silenced with your lips. “Yeah,” he murmurs, hand interlocking with yours as you both fall back against the mattress, “Let’s do this again.”

[lovelyyandereaddictionpoint]

Yandere Naga King // Part 2

Part 1

Shian is the King of the Naga, the valued birthright of his family to one day earn the tribe’s respect as they murder the reigning King if they don’t offer their service to the heir. Many other tribes and kingdoms may say this is brutal but it was his way of life. 

“My King! A warrior of the canine race was found on our borders–how would you like to proceed?”

“The same we always have. Devour them.”

“Yes, my King.”

It was how his family established a kingdom in a world where the human kingdom was in the mood to acknowledge different tribes as kingdoms. Word has it that a hero had come to the humans that would unite all the separate tribes with some peacekeeping power. Naturally, Shian thought such a thing was the stuff of dreams; instead was planning to make the journey to gauge the threat of this new being. But of course his strength brings so much attention the chatty little snakes couldn’t help sharing about the oddest thing.

“Did you? Did you hear?

“Yes! Yes, I did! So beautiful! A beautiful thing!”

“A naga youngling! A naga youngling and their human parent!” 

“What a sight! What a sight to behold.”

Granted this news was not delivered maliciously but that didn’t matter to Shian. As King of the Naga it was his duty to protect the clear separation of all humans and Nagas. History and biology spoke volumes—Nagas are the better creatures. Shian was more eager than anything to prove this, especially on the journey to observe eliminate the hero meant to unite them all. But of course, this changes when he meets you.

“Oh (Y/n)! I saved our dearest Nox from a wild boar and I saved the body for a hearty meal!!! Can’t I come inside now!”

“No!”

“Please!? Wouldn’t you like it if I didn’t break the window, this time?”

Since he’s met you everything has changed. Now that he’s discovered that his destined mate is a fiery little human he’s had no choice but to reconsider. Now he can adore your flaws as a human and admire your unique traits even more. His skepticism about other humans hasn’t completely gone away but he’s plenty more merciful now that he has you to woo. 

“HISSS State your name and business human!”

“-I-I- just wanted to deliver the fruits I always do sir!”

“Hmm my mate did mention something about their usual shipment….fine but thank your stars I’ve decided not to gorge myself on those eyes of yours.”

“Y-y-yes Sir!”

Not to mention you have an adorable little Naga son! Not that he finds Nox particularly cute on his own but it’s the words he parrots from you that make him a delight to be around. It’s a biological thing that Nagas interested in a mate aren’t fond of their children previous or otherwise. Even when they’re created together, there’s a strong chance that paternal love humans expect may never appear. But he’s found when he acts as though that’s what he’s doing you excuse more of his behavior.

“Now to strike with your tail you’ll have to shift your weight like this."

“Oh I see!”

“Yes…good job…”

“Are you looking back at the window, again?”

“Well of course I am! You said they were looking, right?!”

He does find that the more time he finds with Nox he doesn’t hate him. He’s sure if he was any other little snakeling in his kingdom he’d fully be invested but this is the snakeling in the way of attaining his mate’s complete attention. This is why it’s easier to blame him than accept you’re not very interested in giving him your attention anyway. It does annoy him that Nox isn’t unaware of this. The little narc snakeling is happy to string him along; baiting him with his praises to you to learn things from him.

“What?! I thought you weren’t watching the fight?!”

“I didn’t but the forest talks. So how do you move so fast across the forest like that?”

“Hmph that’s a secret. Family secret, actually.”

“Oh, that’s a shame…guess I ought to tell them you could never see us being a family.”

“What?! That’s not what I–”

“Guess I'll call out in one. Two. Thre–”

“Okay okay pay attention I’m only showing you once.”

“Yes!”

In the Naga King's heart of hearts he kind of really loves likes this domestic life with you two. It feels as though the whole world is right when he can spend all day following and pestering you as he learns more about you. But it won’t stay that way forever. And unfortunately, his entourage and advisors will find him. Reminding him of that pesky hero he has to eat meet. It’s simple to debate with his team about taking you with him or sending you back home to his newly constructed castle. Of course, he neglects to ask your opinion on the matter and must reap the consequences.

“My (Y/n)...why are all of my servants tied on the drying line?”

“They started moving my stuff. I thought I told you and your little buddies to stop touching my house.”

“ But how are we supposed to move you to my castle?”

“What?!”

“(Y/n)...please put down the knife!”

After talking you down committing his entire entourage to chores you wanted done he ordains that you should try accompanying him on his mission to the human kingdom. Leaving out the part about the hero he suggests that he leave some of his servants to tend to your home and babysit Nox. This is entirely so that he can convince you to come to his castle one day. Not just so he can enjoy some alone time with you. And while you’d like to refuse Nox thinks it’s awesome. When you aren’t chasing the Naga servants away they regard him with kindness and very giving. And it’s that same observation that has you kissing Nox goodbye as you depart for the human castle.

“Alright, Nox be good…try not to grow up too much while I’m gone.”

“Of course not…if you want I can send my shedded tail skin to you so you can ‘see me grow up. ”

“Nox don’t do that. That’ll be weird.”

“I thought so too but the others say it’s an endearing thing.”

It’s going to be hard, returning to civilization. Since you’ve been isekai’d you limited almost all of your interactions with other humans and now you were going to meet the protagonist. But you wouldn’t let your mind be completely occupied because you would be distracted by the obsessed Naga king.

Part 3: ....

[gch1995]

I haven’t actually seen the live action remake, and I’m certainly not going to go see it in theaters. This is why, though. The director and writers are trying way too hard to be “progressive” by “fixing” what were never actually issues in the first place, and they’ve ruined the spirit of the animated film, the characters, and even the music as a result. Awkwafina is annoying as fuck as Scuttle, and not in the same charming and funny way that Buddy Hackett was as Scuttle in the role. I get that they couldn’t use Buddy Hackett to voice the character again since he’s been dead for some time now. However, they decided on using an actress who has an irritating voice, and decided to give her parts to sing in it.

Why? Even in the 1989 film, Scuttle wasn’t given a song because he was meant to be that annoyingly dim witted, but well-meaning friend. Jacob Tremblay sounded cute as Flounder. He actually sounded quite a bit like Jason Marin as a kid voicing the role in the 1989 film, but he also wasn’t a singer.

Of the voice actors playing Ariel’s sidekicks in the live action film, Daveed Diggs is the most competent at singing and rapping as Sebastian, but neither his singing nor his faux Jamaican accent are even half as impressive as Samuel E Wright’s spot onJamaican accent, and his rich baritone in Under the Sea and Kiss the Girl. I loved Daveed Diggs as Jefferson/Lafayette in Hamilton, but he’s clearly more of a rapper than a singer.

Growing up, Ariel was always my favorite Disney Princess, too, because she was the first one who actually had a well-rounded personality with both strengths and weaknesses that went beyond just being too kind and naive for her own good. She was adventurous, brave, bossy, distractible, impulsive, kind, naive, obsessive, misunderstood, protective of those she loved, sassy, and selfish at times. She was such a typical teenager, who was flawed, but still essentially a goodhearted person at heart. Before her, we had such impossibly goody-goody Disney Princesses

It also helped that the animation was beautiful, the cast was highly talented, the music was catchy, and the side characters were entertaining. Also, the fact that the animators actually used the model Sherri Stoner as a reference point to animate Ariel’s expression, hairstyle, and movements on screen made me love it even more. You can tell a lot of love, hard work, and passion went into animating The Little Mermaid movie, casting it, directing it, recreating these characters, and composing the music score.

In the 1989 film, Ariel already had a very active interest in exploring the humans on the surface world before she ever even saw Eric in the original Disney animated movie, so she had greater motivation than just a man from the beginning.

No, Ariel is not Bella Swan in her relationship with Edward Cullen from Twilight, or Anastasia Steele in her relationship with Christian Gray in 50 Shades of Gray. She is her own character with her own personality, hobbies, and motivations outside of just Eric.

Did Hallie Bailey, Rob Marshall, and the writers of the live action remake, even watch the opening introduction scene to Ariel’s character in the 1989 animated film at all? Did they even listen to Ariel’s lyrics in “Part of Your World” that was all about wanting to know what it was to be human, and to explore the world above?

The only thing I’m getting from all of them is a blatant disregard and disrespect of the 1989 animated classic film and its fans, so that they could turn it into a vehicle for a nonsensically and shallowly “progressive” political agenda to make money. It also sucks because I really wanted to be able to like Hallie Bailey playing the role of Ariel, and I do think it’s fucked up how there were racists in the audience bashing her for playing a character who doesn’t have to be any specific race to tell the story. Plus, she does have a beautiful, light, and soulful soprano voice that is reminiscent of Jodie Benson’s when singing Ariel’s songs and speaking at some points in the live action TLM.

Unfortunately, Hallie’s answers to questions about the movie and misinterpretation Ariel’s character in interviews and press conferences really made me dislike her for being the Mouse’s arrogant political agenda mouthpiece. Ariel’s race/ethnicity in the film doesn’t make her more or less of a relatable character because her skin color has nothing to do with the story, but Hallie is acting like the character being POC somehow made this huge thing that made her more relatable.

No, Ariel is a half fish half human girl with an exceedingly strict dad who trades her voice to get a chance to achieve her dream to be human. She is not Esmerelda, Jasmine, Pocahontas, Mulan, Tiana, the Madrigal family in Encanto, or the Rivera family in Coco, who all have arcs, cultural backgrounds, plots, and storylines that directly relate to them often being POC who are of direct African American, Colombian, Chinese, Native American, Middle-Eastern, Mexican, or Romanian descent. Ariel could be black, white, Asian, or biracial, and you would still have the same character with the same personality and storyline of wanting to be able to feel free to be true to yourself without being belittled, misunderstood, restricted, or ignored all the time that pretty much anyone can relate to at some point in their lives. Moreover, she is spouting the same misinterpretation of Ariel’s character in the original Disney animated movie being all about trading her fins for a man, and needing to give Ariel more agency and personality in the live action outside of just that, and it made me dislike her because she also claims to be so in love with Ariel from The Little Mermaid animated movie from her childhood. Yet, she keeps trashing the character 1989 movie by blatantly misrepresenting her in interviews to brag about how she thinks the 2023 live action movie starring her in the role of Ariel is far superior for being more “nuanced” and “independent.” I get that the Mouse is likely also paying Hallie to promote the movie, but rather than stating that any fan who doesn’t like it is a “racist,” she could say I hope to live up to your expectations.” I get that Hallie’s young, but she’s still only around 4-5 years younger than me. Plus, she’s been a professional actress since her childhood. I feel like she should know better than to treat critics and fans of the Disney movie this way.

The same Ariel who fell in love with the human Prince Eric shortly after was already being complained about for never showing up to rehearsals to practice with her sisters in Sebastian’s concert and missed its premiere because she got sidetracked by exploring a sunken ship full of human artifacts, knick-knacks, and silverware, which she then took up to the surface to ask Scuttle questions about. Ariel was so into collecting and examining human things that *Flounder* actually had to be the one to warn her to swim away when they were about to be attacked by a shark because he was the only one paying attention.

Ariel sang her big “I want” number “Part of Your World” before she ever even saw Eric, and it had absolutely nothing to do with falling in love, banging, and getting married to a hot human guy. It was about wanting to explore the human world above and experience what it was like to be able to be able to move on two legs above the shore. She didn’t even know Eric existed at this point, and Ariel was already obsessed with the idea of being a part of the human world above for a while now.

When Triton found out that Ariel actually came into direct contact with a human, rescued him, and now loved him, she was actively risking her life from his perspective, regardless of his warnings and the potential consequences. No longer was it just this phase she’d get over, if he let her do her thing. From his perspective, Ariel was now actively risking her life by coming into direct contact with human beings, which is why he lost his shit on her in that grotto scene.

She wasn’t deliberately cruel or malicious, but Ariel was somewhat inconsiderate and selfish in her desire to explore the human world, which is why she finally does apologize at the end when she faces unexpected interference from Ursula.

Yeah, falling for Eric strengthened her preexisting desire to be human, but he wasn’t the only aspect of the human world that she longed to explore and experience. Moreover, even after she fell for Eric and rescued him, Ariel wasn’t really planning on leaving behind her family to go live with him by becoming a human behind their backs. Ariel was just planning to get Eric to notice her with Flounder’s help by splashing around to get him to notice her, so they could talk and get to know each other better. Triton destroying her entire collection of human things to “get through to her” after finding out she had fallen in love and rescued one, was the thing that pushed her to impulsively make the deal to be human with Ursula.

I hate how impossibly perfect they’ve made Ariel in this garbage live action remake to be more “progressive.” They’ve actually taken away her agency by having Ursula erase her memory of having to share TLK with Eric within three days to break the spell to remain human permanently. Not to mention the fact that making that stupid change does nothing to change the overall plot, anyway. Eric still starts to fall for Ariel, and almost kisses her. Ursula still disguises herself as Vanessa to try to stop Eric and Ariel from kissing, which logically couldn’t even be true love’s kiss under those circumstances where her mind “wanders” every time Eric tries to kiss her, anyway. Ariel is not allowed to be aware of the fact that she actually had feelings for Eric at one point. She’s only giving in because Eric is closest to her all the time in the live action, not because she feels something.

The only thing they’ve succeeded in doing by making that pointless plot change was actually creating a big power imbalance between their characters by putting Ariel in a position where she’ll feel pressured to fall for him instead of actually falling for Eric because now she doesn’t remember ever liking him in the first place, and gets confused, creeped out, and evasive every time he does try to kiss her as a result.

It’s also just an irritating message to me that so much of the media for those of us are Gen Z and younger Millennials has become so against portraying healthy heterosexual romantic relationships between men and women. No, you don’t have to be heterosexual, fall in love with a man, get married, and have kids with that guy to be a woman of value to the rest of the world. Now, it’s like we’re living in a society that is absolutely cynical and resentful towards seeing anyone developing, maintaining, and seeking committed and healthy heterosexual romances and lives, though. I’m glad the gay community can have the right to marry people they’re attracted to of the same sex as adults. I’m glad more women were brave enough to expose creepy and powerful male Hollywood actors, directors, and performers in the #MeToo movement. I’m glad no one has to feel pressured to fulfill gender stereotypes, if they don’t want to anymore. Just stop treating people who engage and follow heterosexual/heteronormative lives as “wrong” and “weak” in media because “how dare a woman ever actually feel romantically/sexually attracted to a man, and want him to make a move on her?”

Saying that a man was Ariel’s “only” motivation to sacrifice her fins, her voice, and her family to become human is completely untrue and a total misinterpretation of her character. Ariel dreamed of being human and exploring the world above to learn about them more long before she ever even saw him. She just happened to fall for a cute guy with a similarly adventurous, brave, kind, and passionate heart, who gave her an opportunity to be heard and understood.

This live action movie also really turned Ariel into this hyper feminist unbelievably strong woman trope who never needs to be rescued or supported by anyone else, especially another man. Now, she’s just another unbelievably competent, independent, self-reliant and strong Mary Sue, who never has any moments of vulnerability in this live action films that put her in a position where she needs to be rescued or supported by another character, especially if it happens to be a man. I’m so sick of female characters getting this sort of writing in modern day media. I’m so tired of these females characters who are written or rewritten to be impossibly resilient, resourceful, and self-reliant *all the time.* No, women shouldn’t *always* be portrayed as being clingy, dependent, and helpless in media either. In real life, no one would need to even have relationships to survive happily, if we were actually as impossibly one-dimensional in our capabilities, independence, strengths, and vulnerabilities. We’re much more emotionally and socially complex creatures who are supposed to display both strengths and vulnerabilities in equal measure.

The live action movie seems so intent on making Ariel look like she can accomplish everything by herself and doesn’t ever need any help from anyone else, especially not another man. It’s just a hyper-feminist interpretation of the character that I don’t like, and it’s not *just* in this scene at the ending where she kills Ursula instead of Eric in which they’ve made her such an impossibly competent, independent, and strong woman who can do anything and everything herself either.

Ariel magically being the one to kill Ursula instead of Eric when she is trying to kill her for revenge also undermines King Triton’s character development of getting over his xenophobia towards humans, and eventually being able to let his favorite youngest daughter go be with the right one, now trusting that she’ll be able to be safe. However, this live action movie doesn’t care about character development, storytelling, and the overarching theme of being able to let your children be true to themselves. It’s only about showing what a “Strong WAHMAN” Ariel is at the expense of all that.

In the “Kiss the Girl” scene of the 1989 animated film where Eric expresses that he feels bad not knowing Ariel’s name because she can’t speak, Sebastian is the one to whisper it in his ear to offer his aid because he still can speak and sing. In this live action version after less than three days on land, Ariel magically knows more about astronomy and constellation patterns in the sky than the average human land dweller will know in their entire lives. She comes up with a way to tell him her name is “Ariel” by showing him the constellation of Aries in the night sky, and gets him to say “Ariel” by moving his lips in the shape of her name with her hands. Yeah, I can see how that might look cute, but it also makes Ariel kind of look like a Mary Sue.

In the 1989 animated film, after Scuttle finds out about Vanessa actually being Ursula in disguise hypnotizing Eric to marry her with Ariel’s voice, he tells Ariel, Sebastian, and Flounder, and they plan an ambush to stop the impending wedding before the three days are up. Ariel tries to get to the site of the wedding as fast as she can to help with Flounder’s aid. However, she is still very new to using human legs, she really isn’t as fast or as strong of a swimmer without her fins, and Flounder is the one who helps get her there with a rope from a barrel tied between him and one of her legs. As a result, by the time she gets to the site of Eric’s wedding with Vanessa, Scuttle has already been doing his best to stall the vows until, and it’s a bit too late for Ariel to just intervene. That’s why Scuttle is the one to grab Vanessa’s necklace with his beak and break it, so that Ariel can get her voice back.

You might say that the scene where Ariel gets swam to the site of the wedding would be much more difficult to animate with a tiny fish, but what even was the point of Scuttle’s animal ambush to stop Vanessa/Ursula when Ariel decided to just get into a cat fight with her to rip off her seashell necklace and break it to get her voice back herself after Scuttle told them what was going on, anyway?

They also made it so that Ariel is the first one to notice the shark about to attack her and Flounder in the 2023 film in the opening scene when they’re exploring the sunken ship for human things at her insistence, which, is again, turning her into more of a Mary Sue. In the Disney animated 1989 film, Ariel does save Flounder’s life from the shark when he accidentally knocks himself out swimming away, but she’s not the first one to notice the shark behind them on the sunken ship. Flounder, her anxious companion, is the one to first notice the shark behind them posed for sneak attack when they are exploring the sunken ship at her insistence, and that’s when they quickly swim away. She was too caught up in collecting and examining human artifacts, knick knacks, and silverware to immediately notice that she an Flounder were about to be attacked by a shark.

It also is a moment that gives us insight into Ariel’s greatest character flaws in the 1989 animated film in her opening scene with Flounder when she isn’t the first one to notice the shark because she’s too distracted by her obsession with the world above to be considerate. Ariel’s essentially a good person at heart, who is brave and loyal enough to those she loves to always be there to bravely rescue them when she notices that they need her. However, she also is obsessive about her personal desires, dreams, and interests in exploring the world above to the point of distractibility, impulsivity, naïveté, and selfishness.

It’s just annoying to me. Ariel wasn’t a perpetually helpless and weak damsel-in-distress, who only wanted a man, and constantly needed to be spoon-fed in the 1989 animated film either, but she was still allowed to be rescued, be vulnerable, and have character flaws, too. She was an independent heroine with her own agency, personal interests, and hobbies. However, she also wasn’t this impossibly perfect female role model who never needed to be rescued and supported by others in moments of vulnerability either. Regardless of our strengths, just like real men need to be rescued by other people at times in moments of t vulnerability, there are times when those of us who are women need to be rescued by others in those moments too. Just because we were given equal rights as men, it doesn’t mean we need to be independent and strong all the time around them to be of value. It is just as problematic to portray women with no vulnerabilities as it is to portray men with no vulnerabilities in fiction.

Believe it or not, but presenting yourself as *completely* emotionally/physically invulnerable and self-reliant *all the time* in relationships with other people is just as much of a turn off as being exceedingly clingy, codependent, desperate, and helpless *all the time.* The point is to be able to have a healthy balance between independence and vulnerability in relationships with other people to be able to develop and maintain long-term and meaningful ones. You don’t want to be too clingy, desperate, and dependent on others to be rescued and supported by others *all the time,* if you can help it, because then you’ll never be able to grow and often push them away by suffocating them. However, you also won’t be able to develop and maintain deep and meaningful relationships with others, if you never can be vulnerable around them and rely on them for support in your times of need from time to time either.

That’s a major problem with how “strong “female characters keep getting portrayed in modern day media. Yes, having female characters with greater motivations than just romantic love for a man is important, but Ariel already did have previously established motivations to become human in secret from her family in the 1989 Disney animated film, anyway. She also had plenty of moments where she wasn’t just a damsel-in-distress for Eric, Flounder, Triton, Sebastian, and everyone else to rescue. Generally speaking, Eric was actually the dude-in-distress in their relationship who needed to be saved by Ariel in the 1989 animated film. He had one moment where he returned the favor to Ariel when she needed him to rescue her in the Disney animated movie, and it’s a critical moment of character development and storytelling in the movie that gives Triton the ability to finally understand that he can let his daughter go to live on the surface as a human with the right one by her side to protect her because Eric proved her right that not all human beings are barbarians.

It’s also just irritating to me how young women in modern day media keep getting portrayed as being so perfectly strong and self-reliant all the time, no matter the circumstances. We’re not allowed to be portrayed as being real people with meaningful friendships and relationships in which we can expect aid, consolation, and support from them in situations where we are vulnerable in return for having their back when they experience those moments of vulnerability by our side and need us, especially not those of us who are young women.

I just find that really frustrating with female characters in modern day media, like Ariel in this TLM live action remake, Mulan in the 2020 live action remake, Belle in the 2017 live action BATB remake, Bo Peep in Toy Story 4, Rey from the new Star Wars movies, Daenerys throughout much of GOT after S1, and so on. Just stop trying to portray female characters as impossibly strong female archetypes all the time, and focus on making them human instead. Those were some of the great things about fictional female characters like Ariel, Anna, Elsa, and Mulan. They were allowed to be both strong and vulnerable at different points around other people in relationships. They struggled to achieve some goals without help, but also had moments where they independently achieved their goals and saved others. They weren’t just these impossibly strong archetypes who never needed help.

Like, why do Eric, Sebastian, Flounder, and Scuttle even have to exist in this live action remake of TLM anymore, if Ariel is able to magically be so perfectly independent, intelligent, and resourceful all the time that she never needs them to support her in return? Just for the sake of appealing to nostalgia and creating comic relief.

@

And another thing.

The original The Little Mermaid is about understanding. One of the main plot devices is that the witch takes what from Ariel, ladies and gentlemen?

Her voice.

Ariel did not leave the sea “for a boy.”

Ariel left the sea to be understood. Because for the whole first part of the movie, we’re shown hints of what her life is already like, and how she’s tried to be understood but nobody’s listening or communicating.

She’s introduced by describing a ship as amazing and wonderful, while her fish friend clearly does not understand and wants to get out of there.

Even her best friend doesn’t share her love for another world.

Her first interaction with her father, count how many times he’s speaking over her.

He has this prejudice against humans, and because she’s disobeyed him, he won’t listen to any of her evidence that they may not all be bad.

Even when she has a voice and a cavern full of proof that humans aren’t all barbarians, her father won’t listen to her, so he can’t understand.

And the truth is, she doesn’t have that much proof. She knows that humans are clever and make “wonderful things,” and that’s what she bases her belief in them on. But those beautiful objects, and her pretty ideals, are not enough to make her abandon her family and culture and world.

When she sings and talks about why she wants to be Part of That World, it’s because she wants to understand it. And, subconsciously, Ariel also hopes to be understood up there. Where they make cool devices, and maybe daughters can stand instead of being reprimanded. There’s this hope for freedom and being known associated with the surface.

But it’s not until she meets Eric that those ideals are really, actually, proven true.

Ariel sees Eric out on the sea exploring instead of staying in a palace on his birthday. He gets a gift from the closest person to him, and it’s clear that even the closest person to him doesn’t understand his tastes—he doesn’t want an over-dramatic statue of himself. He sticks to his ideals in an argument that somewhere out there, is the right girl for him. But he doesn’t have to leave the argument in frustrated tears. In the end, he risks his life to not only watch out for his friend, but nearly dies going back to a burning ship to save his dog.

Eric personifies everything Ariel has always idealized about the Human World—AND he might understand her.

In her one observation of him, she finds out that he, a human, is:

A Prince, but nobody can tell him what to do.

More interested in activity and exploration than palace ceremony.

Unable to relate to his closest companions.

Handsome—beautiful, not a savage.

Criticized for “silly, romantic notions” but sticks to the idea of something wonderful out there in the great beyond.

Brave, self-sacrificial, and compassionate to animals.

Eric is, all at once, everything Ariel always hoped a human could be, and yet still so like herself. They have twin souls.

She’d rather be exploring human ships, he’d rather be out exploring the sea. She believes the surface world is good and beautiful, he believes in the girl of his dreams, no matter what anyone says. She has nobody who gets excited about new adventures, and he has nobody who gets excited about new adventures.

When she sees him, she falls in love not just with his upstanding character, or even the human world he represents—she falls in love with the hope that he might understand her in away nobody under the sea does.

Then the ironic thing is, she’s got to make him understand who she is and what she should mean to him without a voice. And unfortunately, that’s really hard because he is suddenly associating his dream girl with a voice and a magical rescue.

As close as they may get when she finally does meet him face to face and gets herself human legs, Ariel and Eric can’t be together until he knows who she is, for real. After all, how can love be true without understanding?

And we’re not DONE with understanding. Because even after he learns what and who she is and still commits to her and saves her and loves her, Ariel’s back to having a tail. She’s back to being in a world where he can’t be.

Except now, Triton is the one who understands. He finally sees what they’ll do for each other—and that Eric, ”savage, spineless, harpooning fish eater with no regard” saved his daughter. He sees that they love each other and are each worthy of the other’s love.

It’s not until Triton understands what Ariel has known and felt all along that he gives her human legs the right way.

That’s the point of Disney’s The Little Mermaid. “True love is found in understanding and sacrificing for one another.”

Triton had the sacrificing idea down, but he didn’t have understanding. Eric had understanding, but he didn’t have the chance to sacrifice for it.

Ariel has both. She understands that Eric’s world is not only barbaric, but beautiful, and she’s willing to sacrifice her tail to be understood in that world.

That is what this movie is all about. And because they’re probably willing to sacrifice critical scenes, like the Prince saving the day (which is important because it provides Triton with a new understanding of humans) or the girl leaving the ocean to be with the boy (which is important because what she really wants is to be understood) the creators of the Live Action Little Mermaid are going to miss the point and ruin the movie.

[harrysfolklore]

yn piastri fretting over oscar’s broken rib and oscar’s like, “gee you’re worst than mum” & nicole’s just like, “yeah i don’t need to worry about oscar when yn’s around”

the rumors are true: i'm obsessed with writing this little scenarios

read little bitch here

"Are you absolutely sure you're comfortable? Maybe we should prop you up a bit more," you hover anxiously over Oscar, adjusting his pillow for the third time in as many minutes." Oh, and do you need more ice? I can run and get some. Actually, should we call the doctor again? Just to double-check everything's okay?"

"YN, I'm fine," Oscar groans, "It's just a broken rib, not the end of the world. I'll be racing in Hungary next weekend anyway."

"What? No, absolutely not!" your eyes widen in alarm. "You can't race with a broken rib, Oscar. That's insane!"

Oscar rolls his eyes dramatically. "It's cracked, not broken. And I've been cleared by the medical team," he stresses, "You're worse that mum sometimes."

From her seat in the corner, Nicole chuckles. "Oh yeah, I don't even have to worry about you when your sister is around. She's got the overprotective mother role covered."

"Thanks, Mum," you say, turning to her. "My therapist has great opinions about it. She says my anxiety comes from a place of love."

"Yeah, well, your love is suffocating me right now," Oscar snorts.

"Osc, I'm just worried about you," you stressed again, "It's too dangerous. What if you crash? What if your rib punctures a lung? What if-"

"What if aliens invade during the race?" Oscar interrupts, mimicking your concerned tone. "What if a meteor hits the track? What if I suddenly forget how to drive?"

"This isn't funny, Oscar! I'm serious!"

"So am I! Carlos nearly drove with a burst appendix, and he was fine!"

Carlos, who's been quietly watching the siblings' back-and-forth like a tennis match, pipes up. "Well, 'fine' might be stretching it. I was in quite a bit of pain, actually."

You whirled on Carlos, who suddenly looked very interested in the ceiling. "Oh, don't even get me started on that piece of stupidity!"

"In my defense," Carlos cleared his throat awkwardly. "I didn't actually race…"

"Only because the team had more sense than you did!" you exclaimed.

"Back when you pretended to hate Carlos but you were at the edge of your seat worrying the entire time he was at the hospital," Oscar teased, making you roll your eyes.

"That's not the point right now," you crosses your arms over your chest, glaring at Oscar. "We're talking about your safety, not my past… concerns."

"Oh, but I think it is relevant," Oscar grins mischievously, sensing an opportunity. "Remember how you kept texting the group chat every five minutes when Carlos was in the hospital? 'Just being a decent human being,' you said. As if we couldn't see right through you."

You feel your cheeks heat up, aware of Carlos' gaze on you. "That's... that's completely irrelevant," you stammer.

"Is that so, hermosa?" Carlos chuckles softly, moving to stand beside you. "I didn't know you cared so much back then."

You shoot Carlos a look that's half embarrassment, half exasperation. "Don't you start. And you," you turn back to Oscar, pointing an accusing finger, "stop trying to change the subject. We're talking about your cracked rib and your ridiculous idea to race with it."

Nicole, who's been watching the exchange with poorly concealed amusement, decides to intervene. "Alright, kids, let's all take a breath. YN, honey, I understand you're worried. But Oscar's right - he's been cleared by the medical team. They wouldn't let him race if it wasn't safe."

"But-" you start to protest, only to be cut off by Oscar.

"No buts," he says firmly. "I appreciate the concern, sis, I really do. But this is my job, and sometimes it comes with risks. I promise I'll be careful, okay?"

You sigh, feeling your resolve weaken. "Fine. But I swear, Oscar, if you so much as wince during that race, I'm storming the track myself."

"Now that I'd pay to see. YN vs. Formula 1 security," Carlos jokes, "My money's on you, mi amor."

As you and Oscar continue to bicker, your mom and Carlos exchange amused glances. Carlos leans towards her, speaking in a low voice.

"Has YN always been like this?" he asks, a fond smile playing on his lips as he watches you fuss over Oscar.

"Oh, you have no idea," Nicole chuckles softly. "This is actually quite mild compared to when they were kids. There was this one time when Oscar was about seven, and he fell off his bike. Scraped his knee pretty badly. YN, who was ten at the time, went into full nurse mode."

"What did she do?" Carlos raises an eyebrow, intrigued.

"Well," she continues, "She insisted on 'quarantining' Oscar in his room for a week, claiming he needed complete bed rest. She even made a 'Do Not Disturb: Patient Recovering' sign for his door. Poor Oscar was going stir-crazy by day two, but YN wouldn't let him leave. She brought him all his meals, read him stories, everything."

Carlos can't help but laugh at the image. "That sounds exactly like something she would do."

"Oh, it gets better," Nicole grins. "When I finally convinced her that Oscar was fine to go outside, she insisted on wrapping him in bubble wrap before he could ride his bike again. Said it was 'necessary protective gear'. Oscar looked like a little astronaut waddling down the street."

Their laughter catches your attention, and you pause in your debate with Oscar about the dangers of racing with a cracked rib. "What's so funny?" you ask suspiciously.

Before Nicole can respond, Oscar, catching on to the conversation, groans dramatically. "Oh god, Mum, please tell me you're not telling the bubble wrap story."

Your eyes widen in realization, and you feel a blush creeping up your neck. "Mum! You promised never to mention that again!"

Carlos, still chuckling, wraps an arm around your waist. "I think it's adorable, hermosa. You've always been a protector."

"Well control your girlfriend! She's trying to bubble wrap me again, I swear!"

"I am not! Although..." you trail off, a mischievous glint in your eye, "it's not a bad idea for the race. Extra padding couldn't hurt, right?"

"YN, no!"

[blindmagdalena]

All of a Sudden, There You Are

3k. homelander x gn!reader. pining. pure fluff! an older fic that desperately needed cleaning up. rewritten for a consistent perspective and added 600-some words. gif credit. AO3 link.

As Homelander's stylist, it's your job to ensure he looks his best, whether he's saving the world or saving face in front of the cameras. After nearly a year servicing him, things between you change abruptly.

Familiarity and consistency feed a base need in all of us. So much of what is best in us is bound up in the permanence of those around us that it becomes the measure of our stability. For Homelander, there are precious few things in his life that offer him any such quality of solidarity. People come and go. It's the nature of the business that has always been his life.

He's stopped paying attention to the PA's, interns and other worker ants that rotate in and out. Their faces blend together in a bland sea of normality and mediocrity. They're little more than cogs in the machine of his contrastingly extraordinary life.

Funny, then, that you should catch his attention amidst the insectoid buzz of it all.

It happens quite abruptly. He's just sat down before a brightly lit vanity where it's your job to style his hair and makeup, as it has been for the last several months. You greet him good morning, as you do every time, but for whatever reason... He notices you today.

"Remind me, what's your name again?" Homelander asks, watching you draw a comb from your kit.

That visibly catches you off guard. You offer only a dumbfounded stare for a moment before snapping to attention, smiling sheepishly as you introduce yourself. The name doesn't sound familiar to him. Had he never actually asked? Probably not. There’s rarely a point in bothering.

He hums contemplatively. "You've been styling me for a while.”

"Yes, sir. About eight months now," you say, using the comb to begin working product through his hair. He’s fairly certain this is the most he's ever spoken to you in all that time.

That sounds like both a long while and yet no time at all. It's nothing in the grand scheme of his life, but in terms of the people he sees consistently, that puts you in a shockingly small pool of individuals. Inevitably they move on, whether by choice or because they’ve found a way to irritate him enough that he has them dismissed.

He can recall his last stylist not by their name or face, but by the way they’d always manage to spray product in his eyes. They hadn’t lasted two days. The one before that he can’t bring to mind a single detail of.

Typically humans only become exceptional to him for how they grate on his patience. You’ve somehow managed to avoid making yourself noteworthy in that regard. Before today you had served as little more than a properly functioning gear in the well-oiled machine of his life.

Now it's as though you suddenly exist to him. Blood, flesh, laughter and all.

"Gooood morning," he greets you the next day, once again triggering another flare of surprise in you. He’s aware of the strangeness of his initiation, but behaves as though he isn’t. He flashes you one of his trademark Hollywood grins.

"Good morning to you, sir," you say with an answering smile that catches his eye. You sound pleased, which tickles something pleasant in the back of his own mind. He likes how well you’re mirroring his shift in mannerism.

He waves his hand dismissively. "Please, Homelander is fine. You keep it awfully formal."

You're actually quite pretty, he notices. Not exceptionally so, not like the celebrities and figures of social influence that someone like him brushes shoulders with on a daily basis, but... pretty nonetheless. He doesn't remember you being this pretty before, and speculates while you work whether you've changed something about yourself. He cannot put his finger on what exactly that may be, though.

He’s perceptive when it comes to the things that matter. Until yesterday, you hadn’t.

You laugh sweetly, pushing your fingers through his hair. His eyes flutter shut as you do. You’re good with your hands, much better than the last stylist. He’s sure he made note of that at some point, but in the same way someone notices when a door stops squeaking. You take it for granted after the first time.

"I'm a creature of habit. Might take me a couple tries to adjust," you warn, covering his forehead with your palm as you spritz product into his hair. You never let any of that sticky crap get on his face, much less in his eyes. You take measures to ensure his comfort, even though he’s never scolded you. You seem to do it entirely out of reflex simply because you care enough to.

"Well, you've made it this far. You've got time to adjust," he says. Now that he's seen you, he finds that he doesn't care for the thought of you being gone. More than that, he starts actively looking forward to the time he spends in the chair with you. What used to be a monotonous aspect of the celebrity side of his life becomes a comforting ritual. 

The two of you chat with surprising ease, like old friends made new. He tells you about himself, vents to you about work and personal business alike. In turn he learns about you and the life you live beyond the time you share with him. It’s nothing extraordinary–not like his–but it's yours, and for some reason, that’s enough to make it interesting.

The more he grasps that you are an entire person outside of the service you provide him, the more he wants to know. He doesn’t give a fuck about your elderly cat, but he does like the way your voice changes when you talk about it. His mind drifts when you tell him these little anecdotes, and he wonders what you tell the people in your life about him. He wonders if your tone similarly changes when you do. Do you speak fondly of him? Days turn to weeks. Little by little, Homelander discerns small changes in himself. There’s a slight pep in his step these days. The sun feels a little warmer, the thrum of crowded events less irritating. His attitude towards interviews flips; even the ones he used to dread he begins to anticipate. He knows you’ll have him looking and feeling his finest. He knows that regardless of what awaits him, you’ll have something to say about it that will make it easier to smile for the cameras.

Thinking of you is sometimes all it takes.

When he has nothing on his schedule to be styled for, he sulks. On those days, he misses your laugh the most. 

He makes sure the products he keeps at home are the same as the ones you use. The smell of them reminds him of the smell of you, of your knock-off Dior perfume that fades too quickly after you apply it, which makes it just perfect for his keen sense of smell. The humble subtlety of you, your sincerity and gentleness, have become a boon against the unfeeling corporate reality of his life. On the days he does see you, he begins to miss you before he’s even left you. Now, as he walks to his next scheduled appointment with you, he’s painfully aware of the beat of his own heart. His stomach is twisting in on itself, though he isn’t hungry. If anything, he feels a little nauseous. The closer he gets to the door, the louder the cacophony inside of him becomes. Is he sick? That shouldn’t be possible, but he can’t understand what’s happening to him. Pausing just outside the door, he takes in a steadying breath.

What the fuck is wrong with me?

Taking a moment to collect himself, he gives his face two quick pats on either side, shaking his head. Get it together, he tells himself, stepping into the dressing room. 

“Gooood morn–” Homelander cuts himself short, looking around the empty room. His brows pinch. He isn’t early. Pursing his lips, he takes a brief stroll about the room, clutching his hands behind his back. He peers down the hallway, cutting through the layers of wall with his vision. No sign of you on the grounds yet. He clicks his tongue. 

You’ve never been late. Unable to settle, he paces for a while. He has the thought to call you, but he realizes he doesn’t have your number. Why doesn’t he have your number? It seems such an obvious thing to have despite the fact he’s never needed it.

He’s just pulled out his cellphone to track it down from Ashley when the door suddenly opens and his head snaps up. The initial relief he feels is cut short, turning cold in his chest when the person who steps through the door is most definitely not you. “Good morning!” the woman greets him, her voice chirpy and grating in his ears. She’s not really happy to see him. She doesn’t know the first fucking thing about him. At most, she’s another sycophantic drone who’s only pleased to breathe his air. In his upset, she looks freakishly distorted, her smile overly wide and fake. His leather gloves creak as he curls his hands into fists. “Who the fuck are you?” he asks, voice as measured as he can manage it. His anger hits in an unreasonable surge, hot like lava from a volcano. This woman’s only crime is the fact she’s not you, and yet it’s enough to make him want to rip her head off her shoulders, spine and all. The woman hesitates in the doorway, her chipper demeanor flipping to a fearful one. “Uhm, my name is Lisa, I’m supposed to style you to–” “Where is my stylist?” he interrupts her, prowling towards her like a hungry predator. He says again, louder this time, voice full of anger and anxiety in equal measure, “Where the fuck is my stylist?!” “I– I don’t know!” Lisa yelps, stepping backwards from him. “I was called in as a last minute replacement! They said– they said there was an accident, or–” Homelander pushes her roughly out of the doorway, blowing past her with a frustrated growl. She hits the wall hard before crumpling to the floor like a lifeless sack of potatoes, but he doesn’t even register it. He calls Ashley, stalking down the hallway, his footfalls loud with fury. Why the fuck didn’t anyone think to tell him? “Ashley!” He snarls into his phone the second she answers. “Tell me where the fuck my goddamn stylist is.”

Homelander is at the hospital within minutes. The staff puts up a meager effort to enforce protocols, but he’s The Homelander, and after a lie or two, they eventually let him through. He hates the smell of hospitals. The sickly mix of bleach and illness, the buzzing of the fluorescent lights. They never should have brought you here. You should be in Vought’s med ward.

You should be with him. When he finds you, you’re sitting with the hospital bed halfway reclined, wearing nothing but a hospital gown. The vibrant reds and blues of his suit paint a sharp contrast to the stark white walls of the hospital room when he steps inside. You have a pudding cup in your hand, though you nearly drop it when you see him in the doorway. His hair is woefully unstyled, splayed loose in every direction from his flight. “H-Homelander,” you sputter, choking on your bite of pudding. You swallow, clearing your throat. He’s walking towards you. The closer he gets, the faster your heart beats in his ears. “What are you doing here?” “Are you okay?” He asks, blowing off your question entirely. He blinks and his vision flickers through your clothes and skin alike. He scans your body for internal damage, for broken or fractured bones. You’re not wearing a cast or anything, but he needs to be sure. You nod, clutching at the blanket, wearing your confusion plainly on your face. “Yeah, I’m okay, it’s probably just mild whiplash, but I’m getting an x-ray to be–” “You’re fine,” he breathes more to himself than to you, his relief palpable. He can hear the flustered patter of your heart clearly. With the adrenaline wearing off, he’s beginning to feel that sickly familiar feeling that he had experienced in the hallway; butterflies rampant in his stomach, battering their wings frantically inside him. His jaw feels tight, his tongue too big for his mouth. Staring at you now, frail and precious as you are in this ugly hospital bed, he realizes what’s the matter–what has always been the matter–he is deeply and incurably in love with you. “Are you okay?” You ask, taking in his tortured expression, his wildly wind-swept hair. The obvious concern in your voice and in your eyes churns his already twisting gut. “No,” he says, the response knee-jerk. Even though the room is still, he feels as though the world is spinning around him. “No, I think I’m in love with you,” he says, expression twisted up, like he’s figuring out each word as he says them. Your heart skips a beat, your breath catches in your lungs. It’s as if the words have paralyzed you. Homelander laughs. It sounds a little hysterical. 

“I’m telling you all of a sudden, but it isn’t new with me,” he says, reaching out to cup either side of your face in his gloved hands. “I love you,” he says, voice firmer now, the realization setting in fully. He looks slightly delirious with it. He’s discovered a secret that he should have known all along, that seems so obvious in hindsight. Of course he loves you, because you love him. The gentleness in your hands as you touched his face, the care in your fingers stroking through his hair far longer than both of you knew you needed to. You dedicated yourself like no other to showing him reverence in service of him, and is that not love in its purest form? And yet, you don’t look to share his elation. You look like you’ve been struck by lightning, expression wide and bewildered. You still haven’t taken a breath. Homelander’s smile falters. “What’s the matter?” He asks, tone dropping a touch. “This is good news! Great, even.” For every second that you do not speak, the beat of his heart feels heavier in his chest. Why don’t you look happy? Finally, you suck in a shaky breath. He watches you with all the intensity of a viper poised to strike.

“I…” You hesitate. You lift your hands and grip his wrists, squeezing them through the thick fabric of his gloves as if to convince yourself that he’s really there. Maybe the accident was worse than he thought. Did you hit your head? 

Panic swells in his chest. It hadn’t occurred to him you might not reciprocate. The thought makes him ill.

“I never…” your eyes turn glassy, welling with tears. “Say it!” he wants to shout, his own heart hammering loudly enough to nearly drown out your words.  “I never would have thought–or even dreamed–in a million years that you might love me back.”

love me back.

Like a dying ember roaring back to life, Homelander’s demeanor reignites, his faded smile broadening once more. 

“I realized it when I was worried fucking sick because you didn't show up,” he says, leaning closer to you. He’s brought the scent of ozone from the sky he tore through on his way to you, but all he cares about is the faint smell of pudding lingering on your lips.

He huffs a laugh. “They sent in some idiot to fill in for you. Like they could replace you. I almost tore her head off,” he says, giddy with euphoria. Your expression shifts, brows furrowing. “Wait, what? You almost-” “I’m gonna kiss you now,” he interrupts, his voice a low rumble. He can already taste you in the breaths you’re close enough to share with him, and he’s never been hungrier for anything–or anyone–in his life. You fall silent with a shiver, nodding minutely, eyes falling shut. “Please do.” His lips meet yours in a gentle press. He deserves a medal for not crushing you with the sheer magnitude of his desire. You all but melt against him, settling into his grip as smoothly as you settled into his life, his mind, his heart. When the two of you break apart, you make a breathless noise that shoots through him like a bolt of lightning. He feels hyper aware of your every sound and move.

God, how he wants to feel every part of you. 

You move your hands to touch his face and he leans into the softness of your caress. You’ve been close enough to kiss more times than he can count. The fact it’s only now occurred to him to do so seems like lunacy. Your eyes dip to his lips, your thumb brushes the bottom one. He catches it with a quick kiss and you laugh your sweet bell-chime laughter.

Pushing your hand into his hair, the wondrous joy in your expression becomes tinged with amusement. “And people wonder why I use so much gel,” you murmur, smooth the wild splay of his hair down with both hands, cupping the back of his head. Homelander smiles wide and boyishly, which prompts you to kiss him again.

“I’m not having some kind of brain bleed hallucination right now, right?” You ask quietly, the tip of your nose lightly pressed to his. He brushes his lips against yours between words. “You’re serious?”

“As a heart attack,” he purrs, stroking your cheek with his thumb. Despite the ugly fluorescent lights and the dreadful hospital stench all around, you look resplendent in your joy.

He had been right. It was love that you touched him with. It had been subtle, imbued in your every movement, and for months he had soaked it up until, unbeknownst to him, he fell into it as well.

“Trust me when I say you’ll be seeing a lot more of me from now on,” he says, brushing your nose with his.

Maybe instead of tearing them limb from limb, he’ll send flowers to whoever the sorry son of a bitch that rear-ended you this morning was. Who knows how much more time he would have wasted before he realized he was utterly smitten with you.

[lyriumheart]

knowing the truth about solas being a spirit and regretting it, and being responsible for the tranquility of the titans and loss of connection to the Stone makes. me. insane when looking back on his conversations with varric. and just their relationship on the whole.

"why do the dwarves not know? why have they forgotten? did someone make them forget? how can they not care what i did to them?"

"do you miss the stone? do you know what i took from you?"

"look at what i did to you. your people are mutilated, forever forced to change from what they once were. and i did this to you."

"you don't even know what i did to you. the horrific crime i comitted against you and your people. you have no idea what you lost or what i did. you're not even angry at me. why aren't you angry at me?"

"you should be angry at me and trying to restore what i took. how can you continue on the way that you are? how are you even whole?"

and then we have harding's comment in da:tv

this comment from harding, after all of the conversations with varric, in hindsight, really does highlight something about solas. for all his guilt and regret, being practically one of if not THE only person who knows what truly happened to the titans. being one RESPONSIBLE-

at no point does he make attempts to fix that until he is convinced to potentially at the end of da:tv.

his conversations with varric are clearly some self projections, and wondering how varric can't be like HIM- he DOES know what the elves lost and what was done, and so he DOES want the old world to be restored. it's to absolve himself of his own guilt, along with trying to fix his mistake. how can he NOT fight? how can his own people not see what they lost and not try to put it back? he has to undo what he did.

but he never does this for the dwarves.

he often will say how he doesnt relate to the elves, and how when asking him 'who are your people', he avoids the topic. because the elves are NOT his people. he is a spirit! and his priorities always align with one simple thing:

that he regrets being made flesh. if he could go back to being a spirit, if all the elves could, if it could all just go back to the way it was before, everything would be fine!

it takes at least four people at the end of da:tv to make him see that this is ultimately selfish and unrealistic. that no amount of regret or attempts to put things back the way they were will undo what he did. in his obsession with self absolution, he completely forgets about the titans, and the blight, all being because of HIM.

he talks to varric, he talks to harding, all the while knowing what he did and being oh so sad about it but never stops to think. wow i actually may have the power to help with this!

he is so, SO focused on his own crusade for himself while also convincing himself that it's for the greater good. telling himself that oh! this time his great plans for the 'right thing' will go well, surely! the last few times, with the titans, and the blight, getting mythal killed, the sealing away the evanuris and changing the world because he messed up the ritual, then trying to awaken his orb only to give it to an immortal blighted magister that explodes the veil- those were all just! flukes! this one will go right FOR SURE!

and is that not just very similar to varric? how varric repeatedly also makes mistakes, and then doesn't face them? he brought hawke into the deep roads and put them in danger, possibly got their sibling blighted, brought back the red lyrium which led to (gestures) all THAT, introduced hawke to anders which led to (gestures) BOOM, led hawke to corypheus, told bianca about the deep roads which led to corypheus getting his hands on red lyrium.

but their key difference? varric simply accepts his mistakes and attempts to do better the next time. varric accepts that the past cannot be changed, no matter how badly he regrets it. he has to move on, he has to do better, he is still here, people are still here, and theyre worth trying for.

"That's the world. Everything you build, it tears down. Everything you've got, it takes. And it's gone forever."

"The only choices you get are to lie down and die or keep going. He kept going. That's as close to beating the world as anyone gets."

like of course. of course solas couldnt keep rook inside a prison of regret by using varric as the catalyst! because that's just not who varric is! that's who solas is. solas saw parts of himself in varric, but didn't listen enough to what varric has always been saying. he never does! he doesn't self reflect, he doesn't consider, truly consider that he's wrong until he is being held at knifepoint and confronted with the literal specters of his past telling him to stop fucking self flagellating and convincing himself that he knows best or that this isn't just out of self pity. 'it's for the elves', he says every morning when he wakes up.

for all solas' wisdom, he truly is poisoned by pride and regret. it's just so. (clenches fist)

he spent all this time using varric's memory, surely he is familiar enough with how varric thinks and feels at this point? surely he undersands now?

you have to stand with him at the edge of the world, teetering on the edge of the abyss and decide if he's worth putting in the effort to make him truly take everything varric said and did to heart. to take what we have now and make it better, instead of dragging a corpse of guilt around for eternity.

[beenbaanbuun]

guard dog pt.2 w/ jeong yunho

idk if this will become a series (it absolutely will, i love him). if you have any asks about this little series then i’ll be more than happy to answer them 🥰

warnings - yandere!yunho, hybrid!yunho, role reversal, yunho calls reader puppy, talk of murder, talk of living in a bad neighbourhood, allusions to masturbation, choking

pt1

you were under the impression that by wearing yunho’s jumper, it might piss him off just a little bit

but as you walk into the living room where he lays, limbs slung across the couch that he deemed beneath him no more than a few nights ago, you’re shocked to see a smirk playing on his lips

if you had much more on beneath it, you might have torn it from your body and thrown it at his smug face, but you wouldn’t want to give the mutt the satisfaction of seeing your tits

“going somewhere, puppy?” it’s been three long, arduous days and he still hasn’t dropped the nickname

you’re this close to getting your name tattooed in hold across your forehead; maybe then he won’t forget it

“the shop,” you walk over to grab your boots; heavy and intimidating and perfect for kicking any creep that gets too close, “i want a snack.”

“there’s plenty of food in the fridge,” he deadpans as you make your way over to the sofa

he doesn’t move, not even when you glare so hard at his legs that he can practically feel you burning holes in them

annoying prick

you settle for sitting right on the edge of the cushion, just far enough on to keep yourself from toppling to the floor as you slip your shoes onto your feet

“i don’t want the food in the fridge,” you say simply as you tie your laces, “if i wanted the food in the fridge, i’d eat the food in the fridge.”

a few seconds of silence pass by, and you’re almost positive that he spends them rolling his eyes behind your back

“it’s dangerous to go out at this time on your own,” as if that’s not the most obvious thing in the world

luckily for you, you have the safe streets memorised, and you carry your keys tight in your fist as a make-shift shiv

yunho seems to forget that you’ve lived here far longer than he has; you’re far too used to how dangerous it can be when twilight hits

“nothing stopping you from coming with,” you suggest, although you hope to everything that is holy that he says no

“i’m not getting changed out of my pyjamas, puppy,” a sigh of relief escapes your mouth as he gives you what want

“well, i’m going either way,” you insist, and he nods in understanding, expecting no less of you

you’re not ashamed to admit that you’re stubborn, maybe even sometimes to the point of being a brat

it’s just so fun to see your victim’s get riled up as you push each of their buttons over and over again

part of you hoped you would’ve learned yunho’s buttons by now, enough to get a little rise out of him, at least

but as he looks you up and down with nothing but neutrality in his eyes, you know that yet again you’ve failed

perhaps you’ve met your match, at long last; the person who can turn each and every jab around and aim them back at you

as your annoyance rises within you, making your bones buzz and your heart clench tight in your chest, you understand just how true that is

and you’re fucking stuck with him

“have fun getting murdered down some dark alley, then,” he just waves you off, only serving to piss you off more

“you’re a prick,” you spit in retaliation

your footsteps are heavy as you head to the door, eyes already trained on the little table you stash your keys on for safekeeping

the little silver stash normally takes pride of place, sitting pretty in the centre so as to not go unseen whenever you’re in a rush to leave

but the table is empty, and you know you won’t have put your keys anywhere else

but then there’s a tinkle behind you; the gentle sound of metal upon metal drawing your attention away from where the keys should be to where they actually are

the mutt’s black ears twitch atop his head as he gently fingers the bundle

you watch as the light catches, reflecting back on his stupidly handsome face in dots of shimmering light

fortunately, his prettiness only makes him that much easier to hate; of course the bastard is a prick when he looks like that

“yunho, give me my keys,” your voice is stern, tired of whatever game it is he’s playing already

“don’t want to,” he says, amusement laced through his words

the keys clink louder this time as he takes them in his fist before slipping them into his sweatpants without another word

“yunh—”

“let’s play a game, puppy,” he cuts you off, “if you fetch the keys like a good pup, i’ll let you go to the store. that sound good?”

the smile he wears is wicked, all teeth like he’s a snarling beast

he might look human, for the most part, but the sharp canines that dig into his bottom lip are a harsh reminder that he’s closer to that beast than he seems

but you’re not in the business of losing, and you certainly refuse to give up without a fair fight

if he wants to play dirty, then dirty is what he’ll get

it takes a mere few seconds for you to cross the room back to the couch, shimmying round it until you’re standing in front of him, legs lined up with his crotch

you sink to your knees, not daring to look at his face despite hearing the deep chuckle he gives you in response

“which pocket?” you spit, words sharp and impatient

“work it out, pup.”

you jump at the feeling of a warm hand petting the top of your head, fingers curling around an invisible pair of dog ears to match his own

you try your best to ignore everything about the situation; the game of fetch, the way you’re knelt at his feet, the way his hand absentmindedly plays with your hair

everything about it screams puppy, and that is not your fucking name

your fingers dip into his left pocket, feeling around for a moment or two before coming out empty handed

you don’t even allow a second to tick my before you delve your fingers into his other pocket and feel around in a similar way

but you can’t feel anything in there either, and it stumps you

yunho hums as you draw your fingers back, finally shifting your unamused gaze back to his face

“you know what i think?” he starts, and you nod, desperate for a hint of some kind, “i think you’d be so pretty with a collar wrapped around that lovely little neck of yours.”

it takes you off guard a little, not at all what you were expecting to drop from his mouth

and yet somehow, as the words sink in a little, you find yourself rather unsurprised

you shoot him the harshest glare you can muster before pushing his hand firmly away from your head

“well i don’t have a collar around my nec—”

the warm palm you pushed from your skull not a second prior, now lies on your throat

you can feel it, gentle yet firm as it holds you in place and pushes your protests away

“are you sure about that, puppy?” he growls; a sound that travels straight to your core, “from where i’m sitting, it looks like you do.”

it takes everything in you to shuffle back, just far enough away that his hand slips free of your neck and falls flat against the leather of your sofa

you stand on shaky legs, taking a few steps towards the bathroom as you do everything in your power to not look at him

if you do, you’re not quite sure what will happen

but your avoidant eyes miss the way he slips the keys free of his waistband and tosses them onto the coffee table, satisfied enough in his win to know he doesn’t have to hide them anymore

“i’m going for a shower,” you say with a shaky voice, slipping out of his sight as he gives you a hum of affirmation

it looks like the shower head will come in handy tonight

[saturnicos]

Giving a bracelet to them

With: Adam, Alastor, Angel Dust, Charlie, Lucifer

ps:: reader's gender is not mentioned

. Charlie

She absolutely adores! Extra points if it have some decoration with rainbow.

She'll use all the time, only take off when goes to bed and when goes to take a bath — she is worried if she ends up breaking or losing the pieces, so try to be as careful as possible.

As she organizes and takes care of hotel paperwork she tends to feel stressed, and unconsciously looks at the bracelet, a smile forming and her spirits slightly picking up again. She's really happy with the gift.

"Wait, this's for me? Really? It's so pretty, thank you so very much!"

—

. Alastor

He... Definitely have it.

Like, don't get me wrong, he just not knows how really feel about it since he has never received a gift before from anyone, except from his mother.

Deep inside, he actually likes it! The color scheme matching with his clothes, and it isn't so much decorated and colorful; or how he would like to say, simple things are more pretty.

Alastor isn't using the bracelet frequently, most because he not like that type of accessories so much. He'll probably use when is far from you, like a way to remember of you and stuff (this man don't use phone not even if the world frozen), but in the most of the time the bracelet probably will be in the pocket of his coat.

"What do you have there, my dear? Oh, a bracelet, that's very interesting."

—

. Adam

He... Definitely have it/2.

But it's the opposite.

He's a bitch that will probably mock about it, but will quickly change when you feel upset and try to leave him alone, saying something like "Just joking, Sugartits/Hunk, I actually liked that, give me".

He'll use ALL the time, except when he's going to the extermination.

He will 100% brag about the bracelet to anyone when he gets the chance, saying how you spent your time making gifts for him (he's a complete idiot that loved this thing, but will never admit bc high ego lol).

Lute can't stand him talking about this damn accessory anymore, please, she begs you not to give him anything else.

TOTALLY extra points if it has a guitar pendant.

"Of course you make it for me, after all, you are madly in love with me"

—

. Angel Dust

Now, I think it's important to point out that Angel would act a lot more like Anthony with his S/O.

Using this as a base, he'll be SO happy receiving a gift from you. Obviously, he'll make some dirty joke about it, but deep down he wonders why he received it if it's not a specific date.

This poor boy is emotionally broken, little acts like this make him feel so moved and loved ☹️

Every time that him have a breakdown and isolates himself, Fat Nuggets comfort him, laying next to him and gently plays with the bracelet (or if he isn't using, Fat Nuggets will pick it up and take it to him, as if knowing it is an object of comfort).

"A gift? For me? You're so kind, baby~."

—

. Lucifer

Listen to me: this man would probably feel so much like crying — with joy — and nothing convinces me otherwise.

He'd passed the lasts seven years alone, without any love or compassion, having you in his life it's a great gift for him. Now, receive a gift from someone that he considers his greatest gift? God-

He would also be one of the will use all the time. Seriously, this guy probably don't take it off in any occasion, it's a regular reminder that there is someone else besides Charlie who loves him.

He's so grateful to have you.

Later, he'll make matching necklaces with duck pendants for you, he thinks that's a lovely way to say thanks :)

"What is this, sweetie? Oh... I'll use, that's so beautiful, thank you a lot."

Thank you for read !! I'm so sorry if this is ooc, but I hope it was pleasant anyway :)

[indulgentdaydream]

protective!jason hcs or blurb 🥰

Ok so I kinda touched on these in my latest fic but anyways i WILL elaborate bc those were just background

We all know that man is touch starved. We ALL know it.

We also all know he’s hesitant with sharing touch

It’s only once you both have been dating for a bit already, maybe three months in, that he really starts to show his protectiveness through his touch

Or at least when you notice it

He’s always at least holding your hand as you guys walk around Gotham. Depending on exactly whereabouts in Gotham is when he changes whether he’s between you and the road, or you and the alleyways.

You watched him change it up one time halfway through your shared walk, him letting go of your left hand, stepping behind you and around to grab your right instead.

“Oh? So you want me to get hit by a car and die?”

Jason only keeps his eyes on the passing buildings and the ones coming up, “The chance of that is much lower than somebody trying to mug you in this area, love.”

One day you’re both out at the bar together. He’s sitting on a stool behind you as you babble to oke of yours friends.

From over their shoulder, you see a man approaching, but don’t think anything of it.

Suddenly, you see the man stop in his tracks, freezing. You glance over at him. He looks terrified. He glances at you, his original target, then behind you again. He spins on his heel and walks back the way he came.

You look behind you, feeling Jason’s hand still resting on your hip. You almost feel a little scared yourself, seeing that killer glare that Jason’s pointing at the guy’s back.

He switches immediately the second he looks down to you, a soft smile and kind eyes, not a hint of the previous bloodlust a mere second ago. “What?” He asks, like watching his expression change wasn’t the biggest turn on in the world.

You’re sitting in your apartment at your desk typing away on your laptop. You’re trying to file your taxes, and Jason had come over to help you with it (surprisingly he knows how even though he’s still legally dead at this point and hasn’t had to pay any taxes. Ever.)

He had stood and was wondering around your room a bit while he waited for you to fill the next part out. You can hear shuffling, but you’re too focused to tune into it.

“Jay? What does this line mean?”

Jason grunts for a moment and you hear your window slide open.

You turn back around, “Jay?”

“One second.” He shuts your window again. You watch as he fiddles with the lock before easily sliding the window back open. He throws his hands in the air and looks at you. “How long have you lived here?”

You shrug, confused, “You helped me move in.”

Jason waves his hand through the air, “When?”

“Almost a year? Last November.”

Jason fiddles with the window again, slamming it back down, “This lock doesn’t work. You been sleeping in here and anyone could’ve just broken in?”

You shrug again, “I didn’t know it was broken! I don’t really lock my window often.”

Jason looks like he almost broke his neck by how fast his head whipped back to you, “You don’t lock your window????”

He finishes your taxes for you before he leaves, saying he’ll be back. Within the hour he’s knocking on your door again, a duffle bag in hand full of power tools, screws, and different assortments of heavy duty locks. He spends the rest of the night installing them.

A new one on your bedroom window that actually consisted of two different locks. A similar two on your kitchen window. Another three on your bedroom door itself. Then four on your front door.

As he leaned over your kitchen sink, screwing in the lock and blocking your way as you tried to make you both dinner.

“Is this really necessary?”

“I’m not having you practically open to every bad thing the city has to offer, love.”

“Then how are you going to come in through my window now?”

“I’ll learn to knock.”

That’s all I can think of right now okay byeee

[bayjaruchel]

Underneath The Strobe Light

－－－

Pairing: Mike Schmidt (2023)/AFAB Reader

Rating: Explicit

Summary: You're aware of your feelings for Mike, but you're unsure if he feels the same. A single late-night conversation changes everything. (4.2k | originally posted on ao3 | Masterlist )

Extra Notes: Posted October 29, 2023

－－－

You know Mike, sometimes. Mainly in bits and pieces. 

You know he has that poster of Nebraska above his bed; you know he's got a soft spot for terrible eighties cartoons. You know he likes his steak well done. Maybe it's generally useless information — but you've tucked it all away in a dear corner of your brain, in a well-worn cardboard box with his name scrawled fondly on the side in Sharpie. 

He's been busy nowadays, especially with his awful new job at that abandoned restaurant. You've always been there if he needs someone to watch over Abby. It's a strange juxtaposition— spending more and more time at his house, but spending less and less time actually talking to him. But you know he's exhausted, both mentally and physically. 

You don't expect much. You don't need much. Even though Mike's always offered to actually pay you for babysitting Abby, you've always declined. 

However— needing and wanting are two very different things. 

And you want. So, so much. 

Sitting here, on the couch in his living room, your mind always wanders back to him. Abby's a really nice kid, even if she's a little on the eccentric side. Whenever you're sitting with her, watching her draw or watching the television, you can't really focus on Mike. But now, with her safely put to bed … There's nothing to stop you. Nothing to distract you from the empty spot next to you on the couch. 

You blink, already bleary-eyed from the hour. There's some mediocre sitcom playing on the television. It's practically white noise, and you can feel yourself slowly but surely being lulled to sleep. The stubborn part of you wants to fight it. The tired part of you wants to just let it happen. You fumble for the remote instead, switching the channel. 

World News Now? 

Not bad, you think wryly, slumping back into the pillows. You liked the guy playing the accordion and singing about the news, polka-style. Hopefully they'll bring that back. Maybe large broadcasting networks actually do know their audiences. 

Yeah, no. 

You stifle a yawn, tugging your blanket a little tighter. The room's dark, so the only real sources of light are coming from the kitchen and the bluish glow of the television. The only sounds besides that of the T.V. are the occasional car passing by, joined by the gentle chorus of crickets. It's quiet, but not in a discomforting way. 

It's kind of perfect. Like your own little bubble in the world. Untouchable. Not until the sun rises, anyway. 

Your bubble suddenly pops when a car pulls into the driveway, tires crunching on the pavement, and your heart skips. 

It couldn't be anyone else. 

About a minute later, there's the sound of keys turning in the lock. The door swings open and then shuts behind him. Softly. He knows Abby would wake up if he slammed it. Then there's the thump of him setting down his stuff— carelessly. 

The couch cushions squeak a little when Mike sits down next to you. Silently. He's gotten rid of that stupid security vest. 

"Hey," you offer. 

"Hi," he obliges. 

You're sure he's not really paying attention to the T.V. "How was work?" 

It's bland small talk at best, and brutally annoying at worst. But it's the only way to move into interesting conversation territory. And he didn't just trudge past you to go flop down on his bed, so you're assuming he does want to talk. You might pretend not to know, but you're well aware of his social life— or lack thereof. Everyone needs to talk, sometimes. 

"Pretty dull." Rolling his probably stiff shoulders, he lets out a small sound of discomfort. Sheepishly, he murmurs: "I kind of … I kind of just napped, to be honest." 

"Aren't you supposed to be a security guard?" You tease. "That's a really important job, you know. You have to stop all the dangerous teenagers from breaking in and spray-painting dicks on the walls." 

He huffs out something reminiscent of a laugh. "Honestly, the pay's too low to take it seriously." 

"And yet … " 

"There weren't any kids, okay?" Mike shakes his head. When you turn to look at him, though, he's smiling. It's faint, but it's there. "No dangerous teenagers that I had to fight off. It was fine." 

"Fine?" 

"Fine." 

You don't want to let the silence set in. 

"Oh, yeah, we finished the leftover spaghetti earlier. For dinner. I hope that's okay." 

"No, it's terrible," he deadpans. "I hate you." 

"Asshole." 

"Whatever." Mike snickers, and you bask in its gloriousness. "Yeah, it's okay. I know that I probably wouldn't have eaten it anyway. Did you, uh … " He pauses for a split second. "… Did you like it?" 

His tone makes you wonder, but you hastily brush it off. "Yeah, I did," you clarify, "the sauce was pretty great. Was it store-bought, or?" Because if it was, then where can I get it?

"Yup," he replies, popping the 'p'. "Great stuff, for something that's canned. But I always add a little more garlic powder, too." 

"Oh, really?" 

Mike hums an affirmation. "It's like magic, I'm telling you. Doesn't even take a lot to add flavor." 

"That's cool." You rustle with your blanket again, adjusting it more out of habit than anything else. That, and it's kind of cold. "I'll try and remember it for later." 

He's almost cheeky when he speaks. 

"It's life-changing." 

You can't help but snort. "You sound like an addict." 

Incredulously, he glances at you. "To what? Garlic powder?" 

"Pretty much, yeah." 

"I can't believe that you'd say that." He slowly shakes his head, for the second time in the span of roughly a minute. "Especially as someone who's experienced it firsthand—" 

"—you're the one talking about how life-changing it is—" 

"—you can't possibly ignore the irresistible savoriness of garlic powder." 

You look at one another for a moment. The sheer absurdity of the situation sets in all at once. And, well. He starts giggling, and you can't hold it in, either. How could you? Even though he looks at least part zombie, his eyes are still very much alive. Despite the blatant awkwardness and lingering shyness that always follows him around, he's still got a very contagious laugh.  

After you both calm down, he lets out a long sigh. 

"It's getting really late." 

You cling to what little stubbornness remains. "Yeah?" 

"Are you gonna head home?" 

Again, there's something there. Despite his nonchalant attitude, it's almost like— 

—but you're probably overthinking. Wouldn't be anything new. He has to get some rest, and so do you. The drowsiness repeatedly threatening to tug your eyelids closed is a testament to that. Normally, you'd just pass out on the couch or something, and take off early in the morning; before Mike and Abby wake up. But now, it's different. Now, you actually have to make a choice before your sleepy body makes it for you. 

"Um." You rub your eyes again. "I mean. I could, if it's bothering you—" 

"It's not." 

He interrupts you so quickly that it catches you off-guard. It seemingly catches him off-guard, too, judging by the way he promptly averts his gaze and pretends to care about the guy on the television going on about some sort of plumber strike in the city. 

"Oh." You need a second to process. "Oh, okay. Well, in that case … I don't really think that it'd be safe for me to drive right now." You laugh, a little too airily for it to be completely genuine. "I'd probably fall asleep at the wheel or something." At least that's the truth. "I'll just take the couch. As usual." 

"Okay," he says. He's back to murmuring. 

"And I'll be gone before you eat breakfast." Subconsciously, you're fiddling with the slightly frayed edges of the blanket. It's well-loved. "As usual." 

You think you hear him suck in a breath, seconds before: 

"Why don't you stay?"  

Your own breath stutters in your chest. 

"... what?" Is all you can manage, without horrifically humiliating yourself. 

"I mean," he rushes to correct himself, "you come by sometimes because you want to spend time with Abby— she likes you a lot, you know, sometimes I think she likes you more than she likes me . I think—" He's properly nervous now, his knee bouncing up and down. But he's already continuing before you can get a word in. "I think she'd like you to be here in the morning. And you don't accept pay, anyway. You just— won't." 

His nervousness is spreading to you. "Hey, I—" 

"Why are you here, anyway?" 

The question sounds like it's been a long time coming. He's demanding you now, brow furrowed and eyes sparking with emotion. "Is it out of pity? Do you feel sorry for me? Do you feel sorry for Abby? Because if you do, then— then you can just—" 

"It's not!" You exclaim. 

Immediately, you realize that there's a sleeping girl not too far away, and shamefully lower your voice. 

"... It's not, I promise. I just—" It takes a little while for you to gather the right words, and when you do, you don't drop your gaze from him. All of his previous frustration is all but gone, replaced by a slightly wide-eyed expression that's making your heart ache a little. "I genuinely really like spending time with Abby, okay? She's really sweet, and creative, and just a really great kid. And I—" 

You stop yourself. 

"And you what?" Mike asks, gently. 

Might as well, huh? 

"And I really like spending time with you, too," you admit, finally unable to meet his eyes and focusing on your lap instead. 

There's an incredibly tense beat, in which you swear your life flashes before your eyes. 

Then: 

He's barely audible when he speaks. His knee has stopped bouncing, but he's playing with his thumbs. Clearly, your confession— vague as it was— resonated with him, in some way. You hope he understands what you meant, because you couldn't possibly put it all into words in a way that would make sense. 

"Feeling's mutual," he mutters. 

Your head almost snaps up at that. Maybe you had expected it, deep down— you're not oblivious, duh— but it's one thing to have a hunch, and another to have that hunch proven. And out loud, no less. 

"Yeah?" You dare to ask. 

Slowly, he looks up. He meets your eyes. 

"Yeah," he repeats breathlessly, like the wind's been knocked out of him. 

You let your blanket fall from your shoulders, and it slides all the way onto the floor. 

You reach out. 

He lets you lace your fingers through his. 

Mike's palm is sort of clammy— and he's shaking a little— but he still squeezes your hand. On instinct, you guess. It still makes you smile. He doesn't return it, but his lips are parted a little, and you really, really like that. More than you probably should. You like a lot of things about him more than you probably should. 

You scooch a little closer, and he doesn't move away. You let your gaze drop back down to his lips again, making your intentions clear. Still, you don't know if it's clear enough. You lean in, just barely. 

"... Can I?" 

His reply is almost instantaneous. 

"Please."  

You swallow all of the witty quips you could make, and kiss him instead. 

He's very tentative at first. Like he hasn't done this for a while. But you ease him into it— and before long, he's got one hand on the back of your neck, the other somewhere near your waist. He tastes like coffee and something else you can't really put your finger on. It doesn't really matter, though. Because you are kissing him, damnit! 

His eyes are still shut when you part— with a soft smack — but they flutter open after a second. You're not sure if you're supposed to say something meaningful. Luckily, he leans in instead, and your thoughts are immediately transported elsewhere. 

You kiss like this for a while. It's really nice, and you know he needs it. So do you. 

However— when you start losing track of time, lost in the moment, he makes a noise. 

It's quiet, definitely. But it's nothing like the little hums and sighs he's been making so far. It makes you shift closer, pressing more insistently into him. And he responds, enthusiastically wrapping his arms around you, closing the little distance between your bodies that there was. You can practically feel his heart jackrabbiting in his chest when you slip your tongue past his already kiss-swollen lips. 

He moans.  

You indulge yourself. For a little longer. And Mike chases you when you part. 

"We shouldn't do this in the living room," you whisper, nearly panting. "The couch is a little—" 

"Okay," he whispers back, already sounding wrecked. "Okay." 

You've been in his room before. You've sat on his bed— you've even laid on it before. But you've never straddled him on it before. It's a position that makes your head spin a little, and you occupy yourself with kissing him again. His hands fit perfectly on your hips, but they don't stay there for long, tragically— they trail upwards, up your waist, to your back. To your shoulders, and then back down again. It's as if he just can't get enough. You can't either. You need more. 

So, you tug at his shirt. He gets the message right away— hands scrambling to pull it up and over his head. He's still rather slim, but with a slight softness, mostly located in his midsection. There's a light dusting of dark hair on his chest, as well as the provocative happy trail leading down from his navel. You drag your eyes downward, admiring him, and then decide that you're wearing too much clothing. Your top comes off, dropped onto the floor near his. 

Mike takes more time to admire you when your torso is completely bare. His hands are warm on your bare skin, and slightly rough. Like before, he's hesitant at first, but when you encourage him— either literally or with physical indications— he grows bolder. His stubble scratches gently against you when his lips find your collarbone. 

You squirm a little, not even realizing it— and you feel him. Simultaneously, you both gasp. He's not fully there, but he's at least half-hard— and it can't be comfortable in those jeans. 

"Should I—" 

"Yeah—" 

With steady fingers, you unbutton his fly, and then unzip him. It's a little awkward when he shimmies out of the jeans, and when you wriggle out of your bottoms— you both snicker a little, but he's back to comfortably breathless when you settle back onto his lap. Under normal circumstances, you would tease him again. And yet, you can't bring yourself to. Not right now, at least. 

All you want to do is keep going. 

You roll your hips, testing the waters. His breath audibly hitches, and his hands fly up to settle back on your hips. He looks up at you, eyes already half-lidded— and they close when you grind down again. And again. His lips are clumsier this time when you kiss him, but he still reciprocates all the same. The sensation of him directly underneath you like this is intoxicating. You can feel every little twitch and every little jolt. 

"Fuck," he breathes, long and drawn-out, " God, I can— I can see the spot on your—" 

"Yeah?" You encourage, grinding down again, drinking in his answering groan. "You like that?" 

  "Yes —" 

"You want me to take 'em off?" 

Mike's pupils are blown wide, even though his eyes are already dark as is in the dimness of the room. He nods, once, then twice. "Yes," he murmurs. "Please," he adds, for good measure. 

He stares openly when you get off him, just enough to peel off your last remaining layer of clothing. And when you sit back down, well. It's obvious that you'll have to give him a second. "Can I," he says, finally, "can I touch you?" The way he's looking up at you again is just so sweet, so needy, that you consider saying no. Your throbbing core quickly shuts that idea down. 

"Go on," you encourage. 

He helps you move so he has easier access, and—  

His fingertips find your slit, already wet for him.

"Look what you did to me," you murmur. 

He visibly flushes— and then carefully works one finger into your slick heat. The feeling, combined with his thumb brushing against your clit— it's relief that you've needed this entire time, and you can't help but let a quiet sound escape your lips. It's apparently enough incentive for him to quicken his pace a little. Deliberately, he continues massaging your sensitive nub in a firm but easy pattern as he gently pushes a second finger inside you. 

Mike may be out of practice, but evidently, he still knows what he's doing. He peppers kisses up and down your neck, some more open-mouthed than others. Crooking his fingers, he maintains his diligent rhythm. A thought floats through your mind, unbidden— he must have strong hands, if he's been able to keep up like this—   

Two becomes three, and you're spreading your thighs a little wider for him. He's still transfixed, but speeds up at your urging, breath hot against the divot between your neck and shoulder. You chance a glance down, and you can see the visible outline of him through his boxers. You did that to him. He's desperate— for you. 

"Mike," you gasp, "nnh—" 

"Yeah, c'mon," he mouths, against your neck, "c'mon—" He's not letting up in the slightest, and when you tell him to, he speeds up again. He needs to see you cum just as much as you need to feel it. Your needs and wants are rapidly blending into one. You squeeze your eyes shut, but open them to look at him. His dark curls are a mess, his hand working tirelessly between your legs. 

  "Mike —" 

He says your name in return, like he's the one in the vulnerable position. 

"Mike , 'm gonna— 'm gonna—"  

"Please," his breaths are ragged, debauched, "cum, please, c'mon, lemme see it—" 

"Oh —" 

The tension snaps, and you spasm around his fingers. Your hips twitch, and you moan, your mouth falling open as you ride out your orgasm. You're rising— falling — molten honey pooling in your core, before flowing throughout your body. And Mike keeps going throughout it all, letting you enjoy the sensations until you're fully satisfied. 

Nearly boneless, you sag backward. His fingers, soaked with your glistening release, slip out of your cunt with a wet noise. He doesn't waste any time in bringing them up into his mouth, cleaning them off with his tongue— at the taste of you, he groans, even though it's muffled. Your mind takes a moment to catch up again with the world, but another thought manifests itself— how would he react, if you let him use his mouth on you? How would his head look between your thighs? He would be noisy, wouldn't he? Enthusiastic, pliant, and—

Your desire, although it waned for a short minute, comes back tenfold. But you take one look down again and— you can do that later. Right now, you want him inside you. 

Mike lets you tug him down for another kiss. He lets you feel the worn fabric on his thighs, almost playfully. When you palm him through them— he hisses through his teeth, hypersensitive even though you've barely touched him yet. You're going to fix that, though. Hooking your thumbs into the waistband of his boxers, you tug them down. 

You were right. He's desperate. As soon as his overheated skin meets the cool air, he lets out another quiet hiss. And when you take him in hand— 

"Mmh —" A firm stroke from base to tip, and you've already got him. He's average in length, but a little girthy. You know he'll be perfect. There's a little drop at the head of his cock, and you resist the urge to lick it off, focusing instead on warming him up a little. He whispers your name, once, when you pump up and down, twisting your wrist. 

"Got a condom?" You ask, stilling for a second. His eyes snap to you. 

"Oh my God, " he quickly mutters under his breath, before raising his volume, "uh, yeah, I think so. Lemme—" And he's already scrambling off the bed, opening the drawers of his nightstand with speed, but somehow simultaneously managing not to make much noise. He rifles through them, but soon emerges victoriously with what he was looking for. It's a little funny, how he doesn't waste any time in ripping it open and tossing the garbage into the mostly-overfull pail near his bed. Hastily, he rolls on the condom. You think he's expecting you to lay back or get up on your hands and knees so he can fuck you like that— you wouldn't be entirely opposed to it— but that's not what you want right now. 

You place your hands on his chest and push him back down so he's sitting against the headboard. He goes without complaint, even shifting when he understands what you want to do. He's flushed almost down to his neck. 

When you sink down on him in a smooth slide, still slick from earlier, you both moan. He sounds strained— he's biting his lower lip, squirming until he finally bottoms out. You have to take a moment to catch your breath, too; the fullness is just how you imagined, but it's so, so much, especially because of your lingering sensitivity. 

"I'm not—" He audibly swallows, hands tightening on your waist when you move just a little, "oh, fuck, I'm not gonna— I'm not gonna last long." He's babbling a little. "You're tight, fuck." 

You rock back and forth, once, and it's enough to force a choked noise from his throat. You watch his face, observing every little twitch, the clenching of his jaw. You can't hesitate for much longer, though— so you begin lifting yourself and dropping yourself down on his cock. Just in little movements at first, so you can get used to the feeling. His eyes squeeze shut— 

"Look at me," you demand, and he does. He doesn't try and thrust up into you when you really start to move. Up and down, up and down, with lewd plaps that accompany your sounds; his grunts—  you swear you hear him whimper .  His eyelashes flutter open and closed, as he struggles to follow your command, wanting to be good. For you. Even though you can see his thighs flexing as he holds everything back. You ride him for all you're worth. 

True to his words, you can tell when he gets close. Maybe he's been on edge this entire time. You thread your fingers through his hair— he buries his face into the crook of your neck, maybe out of embarrassment. You can feel how flushed he is, a thin sheen of sweat covering both of your bodies. Your muscles are aching, but you're determined to make him cum. You're determined to do this for him. 

He says your name, but it's more of a whine. "Please — I'm gonna— I can't — "  

"Go on," you pant, "you can. Don't hold back." Your arms are wrapped around his neck, now, holding him tight; just like his arms around your waist. The contact is almost too much, but somehow it's still not enough, despite him being inside you. "Go on," you repeat, after he whines again, the sound sending white-hot heat straight to your core. "Cum." 

Mike twitches, and you can feel him pulse— the sound he lets out is high-pitched, muffled into your skin. You slow your movements— the aftershocks of his orgasm last longer than yours. It might've been a little while for you, but it had definitely been longer for him. 

He doesn't let go, even after his breathing's slowed down. 

Gently, you pull his head back so you can look at him. He looks up at you with slightly wet eyes. The kisses you press to his cheeks and forehead make him scrunch up his face. 

"Hey," he rasps, "I gotta throw out the condom. Hang on." 

"Yeah, okay." 

When he slips out of you, you both sigh a little. With unsteady fingers, he ties up the condom before chucking it into the pail. 

The sheets are cool on your skin when he pulls them over you both. The room reeks of sex, but both of you are too exhausted to care. When you turn to lay on your side, he's behind you, throwing an arm over your waist. Tugging you closer. Almost absentmindedly, there's a kiss pressed to the back of your head. 

"Thank you," he mumbles. 

You stare at the far wall, unable to close your eyes just yet. 

"For what?" 

"For—" A pause. "For everything, I guess." 

The awkwardness is back. But you let it in. You smile. 

"You're welcome." 

He doesn't respond, but shuffles nearer, chest pressed up against your back. It's not long before you're both fast asleep. 

[brainmuncher]

So I had another idea come at me while making lunch (I'm starting to sense a pattern with myself, lmao)

What if when Jazz sends out letters to the colleges she wants to get into, she gets sent rejection letters from every single one... except the local community college. She's absolutely devastated about it. She thought that she did everything she could to be chosen. How could every single one reject her?

Danny, of course, hears about it and asks Tucker to check and see if something happened digitally. Surely, Technus or Vlad or someone messed with something to sabotage her. But when Tucker checks, there's absolutely nothing wrong. She still has her perfect grades and attendance record all set with no marks. Her community service hours are all there. It's only when he looks at the letters themselves that he finds the problem...

After looking online to see what the letters look like, he comes to a puzzling realization... the letters were fake. It's a good fake, but it's not the real thing. The signatures were off, and the writing had been changed.

This is what leads him down the rabbit hole.

He tries to ask about it online to ask others who've also been rejected. Except nobody is answering him.

Sam tries to call the numbers listed on the websites of the colleges... but the person who answers is strangely unknowledgeable about the college they represent.

The only college that seems normal about it was the nearby community college. And that somehow feels the least normal about everything.

It was only when he heard his mom complaining that they never heard from family anymore after they moved to Amity that he figured it out.

Containment. Nothing is leaving Amity. No emails, texts, letters, or posts online. Everything was being blocked.

Of course, this sends him on a mission as to why and how. He spends weeks on it. Sam and Danny actually began to become concerned for him. No, this isn't a pride thing, Sam. And yes, he is taking care of himself, Danny.

Technus is the one who gives him the answer. It was just a passing comment about how he needed to funnel through the GIW in order to infect the world. It didn't make sense to any of them because surely that's the last place you would want to do that. But then it dawned on Tucker. That's who has the power needed to do it! That's where he needed to look!

So he hacks into the GIW and is astonished by what he finds.

The anti ecto acts aren't real. There's no laws even acknowledging ghosts.

There's a file on Phantom, marked as 'candidate for X'.

And all he can find on the containment is a name he's seen described as the creator of the GIW and the main supplier of funds.

Amanda Waller.